• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join free Log in
    Want zero display ads or expanded classifieds tools? Compare plans.

plucking an octave above a note on the fretboard

JesusMetalFunk

JesusMetalFunk

Aug 11, 2011
88
8
Indiana
#1
EDIT: Okay, going to try and fix this so everyone understands what I am trying to explain.

Say I am playing my bass, well I play a G, and instead of playing closer to the fingerboard, over a pickup, right next to the bridge etc.... I pluck the note 12 frets higher than the original note so my right hand plucks this note on the 15th fret.


If I move to an A on the fifth fret I would move my right hand up a whole step as well to the seventeenth fret.

This effect gives it a much deeper sound than plucking where I normally pluck.

I am not talking about playing octaves or harmonics.

If you don't know what I am talking about, try plucking a G on the 15th fret and then over a pickup. It may be my bass but it produces a different sound
 
#6
He's not talking about harmonics...
They're just called octaves, OP. They're the octaves (8 tones from the original tone) of the tone you originally plucked.
studybass.com is a nice start to understand some basic principles better.
 
#9
The way I read this, the OP is not talking about playing octaves or harmonics, he is talking about where he is plucking the notes relative to the bridge and the fingered note. Normally, most players pluck closer to the bridge than to the midpoint of the vibrating portion of the string. By plucking a string an octave's distance from the fingered note, you are basically plucking near the vibrational midpoint of the string, thus producing a much rounder tone.

I've been doing this off and on for 32 years. Often I will anchor my thumb at the neck/body joint and play over the end of the fingerboard. An added bonus is that the fingerboard stops your plucking fingers (I pluck fairly hard) so playing faster is facilitated.
 
#10
Fretless has the idea, It may not have to be an octave, but that's where I generally get the best results, most of the time if I am closer to the body of the bass it sounds closer a normal plucked note. I have a wick $$ 5string. so it has a slightly longer scale

I didn't know if this had any special name, but it sounds like it is producing tone with much more depth.
 
#12
It is a different plucking position, but it gives a much different sound, and I thought it would have a specific name for this technique

If I fret a g on the third fret of my e- string, then I pluck this note right over the 15th fret of the e-string it gives a deeper, maybe almost dubby kinda sound.

I know how to play octaves....
 
#13
JesusMetalFunk said:
It is a different plucking position, but it gives a much different sound, and I thought it would have a specific name for this technique

If I fret a g on the third fret of my e- string, then I pluck this note right over the 15th fret of the e-string it gives a deeper, maybe almost dubby kinda sound.

I know how to play octaves....
Click to expand...

Ooooh, now I get it. You could have been a teeny bit clearer. That's very interesting though, I never though of trying that before. I wonder if there's some sonic reason doing that sounds unique.
 
#15
Yes and yes.

In music/physics two notes are an octave apart when the frequency of one is exactly double the frequency of the other. On a guitar or bass the way to play a note an octave higher is to exactly halve the length of string that is vibrating. So the 12th fret is half way from the nut to the bridge, and the 24th fret is half way from the 12th to the bridge .... which is why the frets get closer together for high notes, too.

Saying that the original poster plucks "an octave above the note" is no different to saying that he plucks exactly at the midpoint of the string's length.

So why a rounder tone? Well ... most of the 'bassy' power of a note on a bass guitar is the fundamental and 2nd harmonic. When you play exactly in the midpoint, you put more energy into the fundamental and hardly any into the 2nd harmonic (the 2nd harmonic requires the two halves of the string to move opposite to each other, but you've made them move together).
 
#17
This is a cool technique. I like to use this in lighter music which allows for long, sustained bass. The octave pluck does give the fundamental more energy and really helps the bass ride the wave. The difference in tone allows a more subtle onset of the sound as well; not as much "clank" as when the pluck is done near the bridge.
 
#18
David1234 said:
Yes and yes.

In music/physics two notes are an octave apart when the frequency of one is exactly double the frequency of the other. On a guitar or bass the way to play a note an octave higher is to exactly halve the length of string that is vibrating. So the 12th fret is half way from the nut to the bridge, and the 24th fret is half way from the 12th to the bridge .... which is why the frets get closer together for high notes, too.

Saying that the original poster plucks "an octave above the note" is no different to saying that he plucks exactly at the midpoint of the string's length.

So why a rounder tone? Well ... most of the 'bassy' power of a note on a bass guitar is the fundamental and 2nd harmonic. When you play exactly in the midpoint, you put more energy into the fundamental and hardly any into the 2nd harmonic (the 2nd harmonic requires the two halves of the string to move opposite to each other, but you've made them move together).
Click to expand...
Great post! I've always wondered why the frets got scrunched together.
 
#19
So you're just plucking over the neck. You get that effect without specifically plucking over the octave.

Or... are you saying that you get a different result at exactly the octave point? I'll have to check it out.

Edit: So yeah, it gives a brief little zing to the attack. I didn't notice any change in the sustained note.
 

Latest posts

Top Bottom
Back