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Poll: Fretless - lined or unlined, regrets?

Are you happy with your fretless choice?

  • Lined, should have chosen unlined.

    Votes: 14 4.2%
  • Unlined, should have chosen lined.

    Votes: 10 3.0%
  • Lined & lovin' it.

    Votes: 129 38.6%
  • Unlined & lovin' it.

    Votes: 181 54.2%

  • Total voters
    334
So would you change the fingerboard on a lined fretless to one of the same material, but unlined?
Essentially changing the look but not the sound?
Yes!Exactly!It involves steaming and gradually peeling the fingerboard off.
Now I'm not about to do this any time soon,but it's nice to know it can be done.There's a video
somewhere.
Let me track it down.
 
Wouldn't it easier or less costly to just swap in a new neck w/ blank plank (if possible of course)? That way you'd have the side dot placement correct.
Finding a unlined six string neck for a Tune TWB63 fretless Snapshot_2015704.jpg is next to impossible.Here's that vid.
 
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Yes!Exactly!It involves steaming and gradually peeling the fingerboard off.
Now I'm not about to do this any time soon,but it's nice to know it can be done.There's a video
somewhere.
Let me track it down.
Wow. For me, if it sounds great, why change for the look?
Good that we're all different.
 
I could care less what some other player chooses. As far as the appearance thing goes, while I am aware that is an important consideration to some players, to me, I will listen to the playing and then decide on whether the bass is happening or not. A bunch of pictures on TalkBass don't get it.
 
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Even though unlined can help develop your ear, it's going to take a lot of work to go from "I can tell if this note I played is in tune or not" to "I know this note is going to be in tune before I even play it". Knowing the note was out of tune after the fact is not good enough in most situations, especially studio work. So if you show up with an unlined fretless you better have that muscle memory down cold or you're going to look like a goof. For most of us, who are going to be splitting time between fretted and fretless, lines are the way to go. Take all the help you can get. It doesn't matter that unlined looks cooler; playing the part correctly makes you cool enough.
 
i have both. unlined is really cool but requires attentiveness and more ear to play. I have one jazz neck that is 'micro-lined' and it is the coolest of 'em all. it has lines that are only about 3/8" long. it looks lined from the top edge, and unlined from the front. I wish all mine were like this. It is an beauty too; ovankol with coated pau ferro board.

No doubt the best unlined neck face yet...really elegant, no wonder it's your favorite (:
 
Did you make the right choice with fretless fingerboard markings? Did you go unlined and wish you had lines? Vise versa?

Or did you get it right?
Rezz'd thread...I'll play :smug:

Unlined all the way.

The biggest thing that helped me get started was having identical fretted and fretless basses where I could get a better idea of where my fingers should be on the fretless.

Only problem is some fretless have side dots where the frets are and other have the side dots in between where the frets would be.

I own an 4 string ABG fretless, a 4 string solid body fretless, a 5 solid body string fretless (E-A-D-G-C)

I just prefer the unlined look as well.
IMG_7366.JPG
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No regrets.

2000 Ernie Ball/Music Man StingRay piezo "玉子 (Tamako)"
F9C24088-D0A7-4095-8E39-C22B09D50FD0.jpeg


2002 Warwick Custom Shop Corvette Proline short scale "熊子 (Kumako)"
CB2D2CE1-EC35-4645-8139-0757BB0BE674.jpeg


I've never owned a lined fretless, and I can't imagine why I'd want one. Frets and fretlines are always inherently a compromise, when it comes to intonation. With frets, you're locked in, but with a lined fretless, you have a visual cue that actually intereferes with you learning where the note is in tune in each song, because your brain wants to trust that line, no matter what.

Most electric fretless instruments have side dots, and that is all the cue you really need (or even want).
 
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