Plus one on the BDDI V2 if having some overdrive is essential to your sound. I've had Behringer gear that has worked fine as long as I looked after it carefully, but IME it's a false economy if you're gigging out.
I have pro gear that's over 25 years old (my DBX 163X is more like 40!), and still working AOK with zero maintenance. I can't say the same for "prosumer" stuff from Behringer, Samson, et al.
That said, on the rare occasions when I've had trouble at a particular venue, it's not been a problem with my amp.
IME, there's nothing like a passive, high-quality DI with a Jensen transformer for bypassing oddball electrical issues, as well as problems with AC or phantom power- could be incorrectly-wired outlets, a bad mixer channel, or even just a house sound guy who doesn't understand his equipment.
That's why my gigbag backup is a Radial JDI. Built like a tank, great isolation, doesn't require external power, and gremlin-free. The only downside to the JDI, is that it doesn't buffer passive basses.
I'm OK with how my basses sound with the JDI, but if you want that last little bit of zing from your Ric (unlikely given the fact that you're running string mutes and flats!), then you may want an active DI- I would be hard-pressed to choose between the J48 and the Neve:
- I borrowed the Neve from a friend, and it does seem to add a little something that I can't quite put my finger on. However, it lacks that bulletproof build quality that I look for in stage gear. Not saying that it's flimsy, but it needs to be treated with respect.
- That's where the J48 walks all over the Neve. Like the JDI, the J48 is built to be on the road, and tossed into milk crates or road cases night after night.
If $250 to $300 US doesn't fit your budget, I would go with the Radial ProDI for passive, or the Pro48 for active. Similar build quality to the JDI/J48, only $129 US, and while I can hear a subtle extra heft from the more expensive boxes in an A/B test during sound check, no audience (or sound guy, for that matter) is going to notice it on the gig.