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Preparing a huge amount of songs quickly without charts

Apr 11, 2005
127,260
125,189
Plymouth NC
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Endorsing: Yamaha, Ampeg, Line 6, EMG
I do occasional sub work where I'm called upon to learn a bunch of songs in a very short time. Last week I got asked to join a band where I need to put together about 60 songs in about a week. Right now I have about 15 down and I couldn't put as much time into them over the last few days as I wanted, but I'll have them down when I said I would. People wonder how I do it. I am not Superman, so I have to rely on some things I've learned over the years to pull it off...and make no mistake, rarely do I not pull it off. As a matter of fact, I don't think I've ever not pulled it off.

1. It takes too long to write fully notated charts, but I do often write quick and dirty chord charts.

2. If there are signature parts, I jot them down, either in notation or in my own little shorthand that nobody understands but me.

3. Write down approximate tempos, basic feel, where time signature or feel changes may occur.

4. Listen to each song over and over and over as much as you can squeeze in in a short time, and play through them. Generally, doing this 3 or 4 times puts me well on the road to memorization. And if they're easy, by all means memorize them as quickly as you can.

5. Once you get the songs somewhat memorized, write yourself crib notes that you can refer to onstage with just the basics and things you might forget along the way. That way you're not constantly flipping charts. Bring a music stand to the gig if it's a vibe where you could get away with it. If it's a gig where music stands are frowned upon, put them on the floor, but make sure you've written them big enough so you can see them. I will usually have several songs on one sheet, and lay them out in a way I can refer to them quickly if there are no setlists or if someone calls an audible on your setlist. Whittle your crib notes down to just the very basics and no superflous info...keys, basic feel, reminders for tricky parts, etc.

6. Keep your original chord charts handy in case your crib notes aren't good enough to remind you. Doesn't happen to me often but it does happen.

7. Learn the easiest songs first and come back to the hard ones. When you need to fill out a 4-5 hour night of tunes, quantity is the most important thing. You will always be forgiven for having to skip a couple of the harder tunes, but you won't be forgiven at all for having to skip a lot of easy ones because you spent too much time on the hard ones.

8. If someone calls out a song not on the list, ask for the key and fake it. Whatever you do, don't start a big to-do about it onstage. Put on your big boy pants and suck it up.

9. Know that you are going to make a handful of clams on the first gig. It's inevitable. Don't worry about it...just don't call attention to them, shrug it off the best you can, and keep moving and never stop.

10. Crush the gig, collect your accolades and money, and get ready for them to call you with more gigs!

I'm sure those of you who also do these types of gigs have your own strategies, and I'd be very interested in hearing them so I and others could learn from you as well. It's tough at first, but once you do it successfully a couple times, it becomes easier. It's all a matter of putting in the work listening, memorizing and note taking. And a smattering of BS :D
 
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Pretty much this.
All my charts are super simple number charts. Making charts is the best bet for learning and memorizing the songs.
Signature licks get notated in shorthand, but all stops, tempos, and feels are felt on the gig.
Ask the drummer to nicely cue you to stops, lock in with the kick drum, when in doubt lay back, and don't fake the funk.
 
+1 to everything mentioned above.

If the song is in D but first note/chord I play is a Bm, I’ll make a note of that too.

I’ll jot down endings too, esp if not the tonic. Key of D, last chord G.

I memorise using ‘chunking’
eg. Verse/Chorus =
D Bm x4,
G Em x2,
D A D Bm (D7 going to Bridge).

Then write out basic song structure.
eg. V/Ch V/Ch Br V/Ch Solo(V)/Ch Tags.
 
I left out one really important tip that I just got reminded of while woodshedding these tunes just now...going to add it to the OP, too...

---Learn the easiest songs first and come back to the hard ones. When you need to fill out a 4-5 hour night of tunes, quantity is the most important thing. You will always be forgiven for having to skip a couple of the harder tunes, but you won't be forgiven at all for having to skip a lot of easy ones because you spent too much time on the hard ones.
 
but I do often write quick and dirty chord charts.

The title says "without charts". You're seeming to contradict yourself here. I've done fill-in gigs by using pretty much the same techniques you do. My only difference is I use an Ipad and Onsong software to hold my "crib notes that you can refer to onstage with just the basics and things you might forget along the way." This way I don't need a separate music stand and paper flying all over. I have an Ipad holder that clamps to my mic stand.
 
The title says "without charts". You're seeming to contradict yourself here. I've done fill-in gigs by using pretty much the same techniques you do. My only difference is I use an Ipad and Onsong software to hold my "crib notes that you can refer to onstage with just the basics and things you might forget along the way." This way I don't need a separate music stand and paper flying all over. I have an Ipad holder that clamps to my mic stand.
I meant "when the band doesn't give you charts." Obviously you use their charts when they give them to you. Thought that was self-explanatory.

My crib note method is to put several songs on one piece of paper, spread them out in a handy out of the way place if they say no music stands, or if they give you separate set lists, arrange them by the set so you only need one or two out at a time. Usually I can do them on 4 or 5 sheets, so it's not too hard to fiddle with them if they call out songs and I don't have the room. And I'm too cheap to buy an iPad and I find them awfully small and fiddly to read charts so I still go old school :D But one thing I do different nowadays is to make most of my crib sheets on the computer so I can alphabetize them or place them in a setlist order.
 
I do occasional sub work where I'm called upon to learn a bunch of songs in a very short time. Last week I got asked to join a band where I need to put together about 60 songs in about a week. Right now I have about 15 down and I couldn't put as much time into them over the last few days as I wanted, but I'll have them down when I said I would. People wonder how I do it. I am not Superman, so I have to rely on some things I've learned over the years to pull it off...and make no mistake, rarely do I not pull it off. As a matter of fact, I don't think I've ever not pulled it off.

1. It takes too long to write fully notated charts, but I do often write quick and dirty chord charts.

2. If there are signature parts, I jot them down, either in notation or in my own little shorthand that nobody understands but me.

3. Write down approximate tempos, basic feel, where time signature or feel changes may occur.

4. Listen to each song over and over and over as much as you can squeeze in in a short time, and play through them. Generally, doing this 3 or 4 times puts me well on the road to memorization. And if they're easy, by all means memorize them as quickly as you can.

5. Once you get the songs somewhat memorized, write yourself crib notes that you can refer to onstage with just the basics and things you might forget along the way. That way you're not constantly flipping charts. Bring a music stand to the gig if it's a vibe where you could get away with it. If it's a gig where music stands are frowned upon, put them on the floor, but make sure you've written them big enough so you can see them. I will usually have several songs on one sheet, and lay them out in a way I can refer to them quickly if there are no setlists or if someone calls an audible on your setlist. Whittle your crib notes down to just the very basics and no superflous info...keys, basic feel, reminders for tricky parts, etc.

6. Keep your original chord charts handy in case your crib notes aren't good enough to remind you. Doesn't happen to me often but it does happen.

7. Learn the easiest songs first and come back to the hard ones. When you need to fill out a 4-5 hour night of tunes, quantity is the most important thing. You will always be forgiven for having to skip a couple of the harder tunes, but you won't be forgiven at all for having to skip a lot of easy ones because you spent too much time on the hard ones.

8. If someone calls out a song not on the list, ask for the key and fake it. Whatever you do, don't start a big to-do about it onstage. Put on your big boy pants and suck it up.

9. Know that you are going to make a handful of clams on the first gig. It's inevitable. Don't worry about it...just don't call attention to them, shrug it off the best you can, and keep moving and never stop.

10. Crush the gig, collect your accolades and money, and get ready for them to call you with more gigs!

I'm sure those of you who also do these types of gigs have your own strategies, and I'd be very interested in hearing them so I and others could learn from you as well. It's tough at first, but once you do it successfully a couple times, it becomes easier. It's all a matter of putting in the work listening, memorizing and note taking. And a smattering of BS :D

I have done LOTS of fill-in gigs. Our strategies are pretty much identical. I'll chime in with more details later. Great post!
 
I do occasional sub work where I'm called upon to learn a bunch of songs in a very short time. Last week I got asked to join a band where I need to put together about 60 songs in about a week. Right now I have about 15 down and I couldn't put as much time into them over the last few days as I wanted, but I'll have them down when I said I would. People wonder how I do it. I am not Superman, so I have to rely on some things I've learned over the years to pull it off...and make no mistake, rarely do I not pull it off. As a matter of fact, I don't think I've ever not pulled it off.

1. It takes too long to write fully notated charts, but I do often write quick and dirty chord charts.

2. If there are signature parts, I jot them down, either in notation or in my own little shorthand that nobody understands but me.

3. Write down approximate tempos, basic feel, where time signature or feel changes may occur.

4. Listen to each song over and over and over as much as you can squeeze in in a short time, and play through them. Generally, doing this 3 or 4 times puts me well on the road to memorization. And if they're easy, by all means memorize them as quickly as you can.

5. Once you get the songs somewhat memorized, write yourself crib notes that you can refer to onstage with just the basics and things you might forget along the way. That way you're not constantly flipping charts. Bring a music stand to the gig if it's a vibe where you could get away with it. If it's a gig where music stands are frowned upon, put them on the floor, but make sure you've written them big enough so you can see them. I will usually have several songs on one sheet, and lay them out in a way I can refer to them quickly if there are no setlists or if someone calls an audible on your setlist. Whittle your crib notes down to just the very basics and no superflous info...keys, basic feel, reminders for tricky parts, etc.

6. Keep your original chord charts handy in case your crib notes aren't good enough to remind you. Doesn't happen to me often but it does happen.

7. Learn the easiest songs first and come back to the hard ones. When you need to fill out a 4-5 hour night of tunes, quantity is the most important thing. You will always be forgiven for having to skip a couple of the harder tunes, but you won't be forgiven at all for having to skip a lot of easy ones because you spent too much time on the hard ones.

8. If someone calls out a song not on the list, ask for the key and fake it. Whatever you do, don't start a big to-do about it onstage. Put on your big boy pants and suck it up.

9. Know that you are going to make a handful of clams on the first gig. It's inevitable. Don't worry about it...just don't call attention to them, shrug it off the best you can, and keep moving and never stop.

10. Crush the gig, collect your accolades and money, and get ready for them to call you with more gigs!

I'm sure those of you who also do these types of gigs have your own strategies, and I'd be very interested in hearing them so I and others could learn from you as well. It's tough at first, but once you do it successfully a couple times, it becomes easier. It's all a matter of putting in the work listening, memorizing and note taking. And a smattering of BS :D
Right On Jimmy! You left out that you are an experienced player that has been playing 100 years and 1000's of gigs, so you are experienced on learning tons of tunes. I also, been playing 55 years, I recently joined a band with a mutual friend of ours. He has different projects and also gets a lot of calls for outside gigs and includes me on everything. I have probably learned about 150 tunes over the past few months (truthfully, a lot o them I knew or had to brush up on) including Vocal parts on almost all of them. You know, because you are an experienced player, there is a lot of homework involved, Youtube is my best friend, and there are always guys on youtube ( a couple of them , I refer to all the time) that nail the part, and I study them, Not like the old days when you had your record player and had to keep lifting the needle on the record, so yes, you can learn a lot of tunes but it is called commitment, and Home work! Rock On, My Friend!
 
I make my own quick and dirty charts. These are a little bigger because for church there is never a giant set-list, however for a gig that has 30-40 songs I can easily fit 10-12 per sheet. So I will have each set list on a separate page and I lay this down in front of my pedalboard for quick reference when necessary, however I’ve found that this method helps me learn the structure of the songs so much easier than normal charts that I don’t need to reference them that much. They are all in a digital adobe file, so I can just drag and drop for each respective set list.

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60 'NEW' songs in a week? Nope not doable for me however.................

What works for me is only subbing for bands that play music I already know or are familiar with. I'm pretty much an encyclopedia of the music I play on the regular. 2 years ago I subbed for a band for about 2 months (their bassist had surgery). I got together with the BL/guitarist and drummer and just went down the list. I knew 90% of their songlist. The rest, I got up pretty quickly and was ready to go. I do chart out songs that are a little difficult to decipher but once I learn it it's a lock.
 
+1 to everything mentioned above.

If the song is in D but first note/chord I play is a Bm, I’ll make a note of that too.

I’ll jot down endings too, esp if not the tonic. Key of D, last chord G.

I memorise using ‘chunking’
eg. Verse/Chorus =
D Bm x4,
G Em x2,
D A D Bm (D7 going to Bridge).

Then write out basic song structure.
eg. V/Ch V/Ch Br V/Ch Solo(V)/Ch Tags.
I do it this way too—
But don’t write down song structure
(unless it is totally awkward)—
Just follow my musical instincts.
 
I pull the song up on Youtube and write it out in numbers: chorus / verse / bridge, using a four color pen so I can notice things I want to emphasize, notate intros / outros / hooks where appropriate. It doesn't take that long to do, and simply creating the homemade learning aid is usually the majority of my learning process. Then practice with it a few times or as needed. At gig time hear the starts and stops coming and watch the drummer when appropriate.
 
Sounds great. Memory is the way to go. How can anyone be 'in the moment' reading off an ipad or charts. But certainly based on time constraints we got to do what we got to do.
Gotchas...Important to get the proper format/copies of the tunes to be learned from the band and to make sure they arent flipping the keys on any tunes in advance. Getting versions of 'said' band doing the tunes is a guarantee format and key will be right.
 

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