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Price vs Quality

What is the top of the"You got what you paid for" price of new bass.

  • 50

    Votes: 6 2.1%
  • 100

    Votes: 12 4.3%
  • 200

    Votes: 13 4.6%
  • 300

    Votes: 34 12.1%
  • 400

    Votes: 11 3.9%
  • 500

    Votes: 22 7.8%
  • 600

    Votes: 3 1.1%
  • 700

    Votes: 8 2.8%
  • 800

    Votes: 12 4.3%
  • 900

    Votes: 3 1.1%
  • 1000

    Votes: 26 9.2%
  • 1100

    Votes: 7 2.5%
  • 1200

    Votes: 17 6.0%
  • 1300

    Votes: 3 1.1%
  • 1400

    Votes: 10 3.5%
  • 1500

    Votes: 24 8.5%
  • 1700

    Votes: 8 2.8%
  • 2000

    Votes: 12 4.3%
  • 2500

    Votes: 7 2.5%
  • 2500+

    Votes: 44 15.6%

  • Total voters
    282
There are two options missing from your list - 0 and carrots. Carrots are required for legitimate TB polls.
Regardless of maker or price point, you will find very good and very bad. The high priced basses are about unique, brand name, and component quality. Whether they sound or play better than a $280 Squier VM is arguable. This whole boutique thing is all about vanity.

Vanity and Gorgeous wood. And tone. And Scarcity.
 
Gorgeous wood is pretty, but does nothing for your sound. Please don't start with the tone wood thing, I don't buy it.
Scarcity is for collectors, not players.
So we are back to vanity.
yes. Vanity. Great components. Better contruction and fretting. And pretty wood. or Graphite. Not informed enough to know the tonal subtleties of wood....I can tell the difference between an Alembic and a Squier with my eyes closed with a bad cold.
 
I don't understand the broadly generalized vanity comments re: high end bass owners.

I play Squiers, Fenders and Foderas. Nobody knows what a Fodera is in the real world and if anyone is impressed with a bass I am playing (not my actual playing), it is always the Fenders.

I see more vanity, elitism and $h!t-talking from owners of MIM Fenders to Squier or cheap Ibanez Gio players than I do from boutique owners.

Play what you like. I don't know why so many musicians really care what others play.

To answer the OPs question, I think a great giggable bass can be found for about $700 new. There are great used $250 MIM Fenders out there as well IME.
 
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This whole boutique thing is all about vanity.
I have to disagree with this. Of course there are some people who think the name on the headstock makes them better than everyone else, but I think they are in the minority. The boutique thing is about getting exactly what you want in a bass. If you have a good luthier, you get the neck, body, electronics, hardware and feel that you are looking for. It's really hard to get everything you want in a single off-the-shelf bass. Many of my boutique basses have a blank headstock. Not much vanity in that.
 
I have to disagree with this. Of course there are some people who think the name on the headstock makes them better than everyone else, but I think they are in the minority. The boutique thing is about getting exactly what you want in a bass. If you have a good luthier, you get the neck, body, electronics, hardware and feel that you are looking for. It's really hard to get everything you want in a single off-the-shelf bass. Many of my boutique basses have a blank headstock. Not much vanity in that.
Now you are talking about something entirely different. Designing your own bass as opposed to buying an off the shelf big name bass.
My experience has been different. I have owned or played most of the production basses available. Some I don't care for at all. Others I really like. But, for me, a Fender Jazz and a Fender Precision are all I need. I want good ones I played and picked out rather than something I ordered.
But if we all agreed, there would be only 1 bass made.
 
My "best" bass is a used Alembic Epic 5 I paid about $1500 for. My "second best" bass is a Bongo 5 HHP that was about $1200 new, IIRC. I really like them both. I had a couple of Ibanez 5 strings that cost me about $400 each at a pawn shop that I didn't like as much; I sold them to buy the Alembic. My first bass was a little 4 string Yamaha that I bought at Mars Music's GOOB sale for about $400. It's OK, a good bass for the money, and I keep it around as a guest player. That's the extent of my bass buying experience and I don't know that it's enough to make any sweeping generalizations.
 
IMO/IME the quality/price ratio starts to flatten significantly after about $1200. I am still willing to pay more for a smaller increment in quality or a feature I like that may be insignificant to others. I have played wonderful basses at pretty much all price points over about $299.
 
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I was extremely happy with my "around" 2000$ Vigier Excess, which even with 2 year-old strings sounded amazingly clear, even slapping. What bass! Things of life, I sold all my gear and now I'm equally happy with my cheap Ibanez GIO GSR200 (about 350$), which eyes closed, could pass for an instrument 3 or 4 times more expensive.
 
Feel free to also comment what you voted and whether your rookie/amateur/hobbyist/semi pro/pro.
Bassed on comments I get from other bass players at my gigs, I guess I'd call myself "semi-pro". I have six basses. My first one was the most expensive. I paid $275 at a pawn shop. With the exception of a six string bass I got from a scratch and dent sale at rondomusic, they are ALL great basses. Even that one is not too bad (22nd fret is too low on the C string), since I put a shim between the neck and body.

These basses have been dropped, played hard, left in a shed where the temperature swings from 110 to 10 below, and they are all STILL playing great.

Maybe I'm just really forgiving...
 
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I personally feel weird playing really high end equipment. I have giant hands and I'm a bit hard on my equipment. I've had to start making guards for my basses so my fingers will stop eating into the wood.

I've always preferred used equipment over new... I like finding something interesting that I can afford for a few hundred, then customize it. I kind of need it to be a one of a kind instrument. To make it my own.

So yeah... my price point is usually around $300... then if need be I'll put some more cash into the customization.

(Oh... and if I had to pick a skill level I'd say Semi-Pro.)
 
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I'm a semi-pro (whatever that means?). I've Been a weekend warrior and fill-in bassist for years. I've played and owned high-end: Warwicks, Fenders, Gibsons, and Spectors. I've also played an owned lots of less-than-$300 basses. Heck, I still own a Spector Q4 Pro I bought for $225 off ebay. Great bass!

My opinion is that, sure, there's some bass snobbery here, but I see way more people buying inexpensive gear and making the best of it. It's all a personal/financial choice for each individual.
I was in a photography class and noticed something interesting our class field trip. One classmate was a doctor and had at least three times more invested in his equipment than the instructor (who was a serious professional). The comic part was that the doctor continually produced the worst pictures in the entire class. The instructors were always spectacular. He clearly had an eye.

I see expensive equipment as being created for those that can afford it. It has nothing whatsoever to do with their ability to play or even their seriousness about it. It has to do with what part of their budget they are willing to commit to it.

I'll tell you right now that an exotic sports car is no more reliable than a Kia.
 
If a high end instrument makes you want to play more, and be a better player, then it's worth it to you. I don't think there is any fault in that. By the same token, if you love rockin' an old beat up $75.00 pawn shop Squier and it works for you then great! It's all about playing the music. The instrument is just the tool to do the job.
 
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