@ThisBass, I believe the case is worse than you stated. RMS watts is a misnomer. If watts is stated as a sine wave, then the volts, is a square root sine function. I believe the RMS is a voltage reference.
If you look at the power formula, it's VI, Il, or VV, which means watts is sine squared function. Which means the area factor is 0.5 not 0.707. I believe the area to peak value ratio can be called RMS.
As stated, square waves can generated by clipping sine waves, but they can also be generated by adding harmonics, particularly odd harmonics. Something, effects can be designed to do.
sine wave
1 Vpeak => 0.707 Vrms (root mean square)
1 Vpeak => 0.6366 Varv (average rectified value)
square wave
1V peak => 1 Vrms
1V peak => 1 Varv
P=SQR(Vrms) / Z
Both signals at 1 Ohm pure resistive Z will provide
sine wave: 0.5 Watt
square wave: 1 Watt
Symmetrical waveform Harmonics spectrum like square wave and trangle waveform is all of odd order Harmonics
While asymmetrical waveform spectrum like saw tooth and MI signals is of even and odd order Harmonics.
Combined (complex) signals like envelope decay generate a second (transient) spectrum that equals an gaussian bell curve that spreads from (theoretical) DC to infinite Hz.
These are the things we try hard to challange with sound designs especially at overload range cause way to often a system seems to be as time-variant just to provide a distinct musical sounding property.
Last edited:

Why can't I just plug in my bass and play? 