I own the RBI, RPM, and a month ago or so I got the new VTRM. I'm surprised I didn't chime in on the other thread, so I will compare/contrast them here.
RBI (rackmount version of Bass Driver DI): has 3 band fixed mid plus Presence control. The Presence control is high treble, it adds nice harmonic overtones. Important: it's boost only, so if you set it at noon, you get a lot of treble boost. It's also part of the tube emulation circuitry, so you'll get some tubey grit as you turn it up. I use a tweeterless 6x10 cab, and love the way Presence adds gritty aggressive edge to my tone... without the tweeter, it isn't hissy or buzzy.
As noted by many the RBI does have some mid scoop built into it, but that can be mitigated by turning Blend back from full. When I use the RBI, I normally keep Blend close to noon (11 to 2 o'clock). But plenty of users run the RBI or BDDI with Blend up full.
Interestingly, RBI seems to have less distortion than the other two... it'll give tubey dirt but won't do outright fuzz unless you have a really high output bass. Not a problem for me, I didn't get the RBI for that.
RPM (rackmount version of Para Driver pedal): three band EQ with sweep mid, no Presence. The RBI is the flattest of the three, and the sweep mid gives it powerful tone-shaping ability. The Drive control can get really dirty and fuzzy, moreso than the RBI, but of course it can be run clean.
VTRM (rackmount version of VT pedal): this has become my favorite because it is the most SVT like (surprise, surprise). It has 3 band fixed EQ plus Character. IMO the magic is in the Character control. It's like a superset of the RBI: when Character is panned left, you get the scooped tone of the RBI (think Ultra-Lo on an SVT). As you dial Character toward noon, the scoop disappears and it's closer to the RPM. As you pan Character right of noon, you get punch and distortion. To me, the VTRM is the most "power tubey" of the SansAmps. Reminds me of back in the day when I'd get to crank my 70's SVT into overdrive, either outdoors or on a really big stage. I've seen bassists crank up V4Bs in smaller rooms to similar effect (and get even more distortion than I used to).
Hope that makes sense. All three are winners in my book: rock solid construction, excellent price/value ratio. Oh... a little tweak can have a significant effect on tone, so be gentle during the learning process. Or not.
