I know there have been a lot of threads about this general topic, but not with my specific goals and constraints in mind, so here goes ...
I've got a MIM fretless jazz with stock pickups. I'm not particularly happy with those pups relative to others I've heard on similar basses. They seem to be kind of muddy, with not very good low and mid articulation. I'd like to replace them with something that is generally vintage-ish sounding with good balance, including a round but solid bottom, clear articulate mids, and clear/smooth but not bright/forward highs. I finger pluck and currently have D'Addario tapes on this bass, but have liked TIJFs and Sadowsky blue flats on it, and am considering LaBella copper whites and TIJRs, if any of that gives you an additional idea of what I like or what would fit. Oh, and these will be hooked up to ObsidianWire electronics.
I have a budget of up to about $120-130, so the Fralins, Nordys, Lollars, higher-end Duncans, etc., are out. Based on clips and vids I've listened to, I've eliminated some standard vintage options, including the Fender CS 60s (I can get them within my budget, but they sound a bit too bottom and low-mid heavy to me), PV 74's (seem kinda bright), Vintage Noiseless (seem a little lifeless), QPs (way too scooped), and a few others.
I'm still considering the following:
Fender Original Vintage
Duncan SJB-1
Dimarzio Area J
StewMac Golden Age
I've really only heard the Fender and Duncan and they sound like legit candidates. Some people rave about the Area J's, but I don't think I've heard them in comparison to anything. The StewMacs seem not to be used very heavily and there's little usable info on here about them, but what there is is pretty positive. Don't really care about noiseless or not, as long as the tone is right.
I guess I haven't completely ruled out the Fender V-Mods, but there are some very polarized views on them. Some say they're thin and bright, but others say they're very sensitive to things like pickup height and string position over the magnets, and when set up properly, they're really good.
So I'm curious what y'all think about the contenders (or others you think would fit), especially relative to one another. I will say, based on what I've heard, that I think the Lollars sound really good, so if you think any of the cheaper options are similar, let me know.
I've got a MIM fretless jazz with stock pickups. I'm not particularly happy with those pups relative to others I've heard on similar basses. They seem to be kind of muddy, with not very good low and mid articulation. I'd like to replace them with something that is generally vintage-ish sounding with good balance, including a round but solid bottom, clear articulate mids, and clear/smooth but not bright/forward highs. I finger pluck and currently have D'Addario tapes on this bass, but have liked TIJFs and Sadowsky blue flats on it, and am considering LaBella copper whites and TIJRs, if any of that gives you an additional idea of what I like or what would fit. Oh, and these will be hooked up to ObsidianWire electronics.
I have a budget of up to about $120-130, so the Fralins, Nordys, Lollars, higher-end Duncans, etc., are out. Based on clips and vids I've listened to, I've eliminated some standard vintage options, including the Fender CS 60s (I can get them within my budget, but they sound a bit too bottom and low-mid heavy to me), PV 74's (seem kinda bright), Vintage Noiseless (seem a little lifeless), QPs (way too scooped), and a few others.
I'm still considering the following:
Fender Original Vintage
Duncan SJB-1
Dimarzio Area J
StewMac Golden Age
I've really only heard the Fender and Duncan and they sound like legit candidates. Some people rave about the Area J's, but I don't think I've heard them in comparison to anything. The StewMacs seem not to be used very heavily and there's little usable info on here about them, but what there is is pretty positive. Don't really care about noiseless or not, as long as the tone is right.
I guess I haven't completely ruled out the Fender V-Mods, but there are some very polarized views on them. Some say they're thin and bright, but others say they're very sensitive to things like pickup height and string position over the magnets, and when set up properly, they're really good.
So I'm curious what y'all think about the contenders (or others you think would fit), especially relative to one another. I will say, based on what I've heard, that I think the Lollars sound really good, so if you think any of the cheaper options are similar, let me know.