clockworkwar said:
Behringer studio equipment are used in the top studios, and they are reliable.
Well, I'm not exactly sure about that statement... I've seen and been to "top studios" and I don't think I've ever seen any Behrenger gear at any of them (maybe they were just embarrased and were hiding it). From my personal first-hand experience with Behrenger mixers, they seem to rob your audio of fidelity and make your mixes sound thin.
But anyway, to make this short, as with anything, you get what you pay for... budget stuff will generally work (hopefully), but it's not going to give you the same quality as higher-end gear. With that said, there are also many examples of budget and mid-range gems out there.
Also keep in mind, if you're new to recording, it's probably gonna take you a bit to get the techniques and know-how to make stuff sound good no matter what you're using to record.
If you've got a decent computer stocked up on RAM and with semi-respectable processing power (the processing is the most important aspect here since most recording systems are host-based... meaning they use your machine's processor), then that's a decent hunk of the battle. From there, your biggest decision is the interface and software... as these are often quite subjective and can vary greatly depending on your needs:
- are you recording just yourself?
- do you plan on recording others?
- if yes to the second above, how many simutaneous channels of input will you require (ie. mic and line inputs). Something like drums generally requires 3 channels minimum.
- will you be integrating MIDI into your setup?
Also, I'd probably recommend a Firewire-based interface. Cards offer more throughput, but who knows what kind of card bus your next machine might have. Firewire isn't going anywhere anytime soon and they're easier to deal with (no putting in and removing cards), and I doubt you'd ever run into a bottleneck. I've recorded 18 channels of audio simultaneously over FW without a glitch. FW also lends itself to portability. Wouldn't suggect an m-box... there's next to no expandibility there. Something like the m-audio 1814FW is decent and it can run with protools or most any other audio app.
Other things to consider...
- do you need/want a mixer? Not necessary, but some people like the tactile feel of moving faders rather than using a mouse.
- Software. This one is extremely subjective. I used/tried just about everything out there at some point. I regularly use ProTools LE, but also use Tracktion and Ableton Live a bit too. All very good software. I've tooled around with Logic and Digital Performer a bit too... also good stuff. It all comes down to what you're comfortable with... they all do pretty much the same thing (though some occassionaly have the edge in certain features/functionality), and work similarly, but usually put their own spin on it... so there's usually a bit of a learning curve for each. There's free/cheap stuff out there, but most stuff runs between $250 - $900 or so.
Microphones... you probably want a few in the long run. Different mics have different strengths in different situations/applications. This is also one of those categories with some budget gems. If you're looking fo a decent all-round mic for vocals and stuff, it's hard to beat the Studio Projects C1 for the price. I'd start there, and add other stuff later as needed or as you're more comfortable with your needds.
Good audio monitoring makes a big difference in the mixing process... this seems to be one of those places where people like to skimp because good monitors aren't cheap. You can get stuff cheap, but once again, you get what you pay for. You're looking for accuracy, detail and the flatest freq response possible ultimately... these are the things that allow your mixes to translate and sound good on everything else. I wouldn't suggest toching anything less than $500. One gem I've discovered in this category is the BlueSky MediaDesk 2.1's. Best sound I've heard for under $600.
I could go on and on, but I need to get back to work, so I'm cutting myself off. Good luck with your hunt.
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c