I beg to differ. Anytime you wrap the speaking/winding length of a string around a tuner post you risk it breaking. Fortunately, some companies now make medium scale sets that are actually usable. To anybody who claims that an E string has never broken, I say, "yet." It will, and at the worst time. I say this from having over the last years converted from 34-inch scale to 32-inch scale on most of my basses, and having strings break.
D'Addario has Medium scale XL strings that I purchase for a couple of my basses. I have the XL's on the Blue body bass pic attached. La Bella has medium scale flats and black tapes, which I have on two other basses, not pictured.
The primary solution in order to retain the widest possible selection of usable strings is to get a bass with a reverse headstock. That way the E string has the most distance to wind the leader without binding the speaking/winding length of the string. The G string on most contemporary sets is not tapered, so it doesn't matter how it is wound around the tuner post. I have done that on the charcoal color bass pic attached.
Another solution, which will only work on a few basses, is to install another string anchor two inches beyond the bridge. This takes up the extra length so a regular typical long scale E string can be mounted without binding. I have done this on the Squier Tele bass pic attached.
Also, if a string is still a little too long, you can use a length of stainless steel tubing to take up the excess. Until I could get my preferred strings in medium scale, I have done this, as you can see on the A string of the blue body bass pic.
When all is said and done, the 32-inch scale bass is unfortunately still the "red-headed step-child" of the bass world until more companies are enlightened and can find the cost/benefit formula to offer more medium scale strings to the market. In the meantime, here are my solutions pix.