Man, it's been awhile!
Gags aside, I've been living in a bit of a literal wilderness the past year, with not much to do but work on a book I'm writing (great progress, will be published, but lord is it an endurance contest) and twiddle around on the pile of gear I bought for a project I'm no longer in:
One of the positives is that I've been gifted the opportunity to use my brother in law's Zenith home stereo. It was made in the 60's and the on board table is junk, so I bought an Audio Technica deck and plugged it in through the stereo tape inputs. The amplifier, equalizer (two knobs, woooooo) and speakers (two oval shaped things, about 8 inches the long way) sound just, ooooof. There's a soul in that old wood and tweed. Anywho, I've been using this rig to play records. Entire Zeppelin studio discog, some Beatles (Rubber Soul!) and most recently, Chick Corea's Return to Forever.
Just, wow.
The sense of "space" between instruments and the warmth of the setup brings those keys and synths to life. This time in wilderness has knocked my technical chops down a bit (happens when you don't play scales everyday), but my ears are finally starting to develop the way I want them to. The whole record was kinda mind-bending to me, even without fully understanding the music theory. The way everything fit without perfectly agreeing, but without any real trace of dissonance- absolutely magical.
I tried sharing this with my brother in law, and he made it to the flute before he gave up.
So I figured I'd bring my story in and see if I could find a more appreciative audience here. And, for those kind souls stopping by, I'm open to suggestions on what to listen to next. Never cease to be amazed by the stuff you all come up with.
-P