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Rex Brown Tone

Jan 21, 2020
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Was listening to some Vulgar Display Of Power this morning and Rex's tone hits you like a train. I was hoping if someone knows what settings he uses. I know he uses Spector basses, and Ampeg amps. I use the SVT4 Pro and a Jackson bass with EMG PJX pickups. From what i heard he also has a decent amount of gain in it.
 
I can give you ideas on how to get closer to his tone, but as to what settings he used, there is not a magical way to get his tone. On Vulgar I think he was using the Music Man Stingray. His tone on that album really cut through in the upper mids (750-2khz) and he was a bit absent in the 500hz range. After Vulgar, I know he started using various distortion/overdrive pedals mixed in with his clean tone. He focused a good chunk of his attack in the midrange 500hz to 800hz since Dimebag's tone did not have much sound in that range. If any.

On your 4 PRO, start with the EQ sliders at the neutral setting (tone knobs doing the same thing), try boosting the 600-800hz range on the EQ sliders, use roundwound strings, play with a pick, and don't bother boosting over 5khz. Keep your low mids in check (150-300hz on the EQ sliders set to no boost), maybe a slight drop at 300hz, set all other knobs at noon/neutral, and lastly, roll the low end downward on the 33hz slider as necessary to tighten the tone.

I used to own the 4 PRO and you need to watch out how much low end that head is putting out. At modest and/or neutral settings, the low end is BOOSTED. Oh, that Ultra Low knob, don't use it! I am going to nick name it: "Anti-Pantera" knob. After Vulgar, Rex focused more on shaping his tone to mesh with Dime even more. It allowed him to sit int he mix well and it never ran over what Dime was doing. Hopefully that will get you in the right direction.
 
I can give you ideas on how to get closer to his tone, but as to what settings he used, there is not a magical way to get his tone. On Vulgar I think he was using the Music Man Stingray. His tone on that album really cut through in the upper mids (750-2khz) and he was a bit absent in the 500hz range. After Vulgar, I know he started using various distortion/overdrive pedals mixed in with his clean tone. He focused a good chunk of his attack in the midrange 500hz to 800hz since Dimebag's tone did not have much sound in that range. If any.

On your 4 PRO, start with the EQ sliders at the neutral setting (tone knobs doing the same thing), try boosting the 600-800hz range on the EQ sliders, use roundwound strings, play with a pick, and don't bother boosting over 5khz. Keep your low mids in check (150-300hz on the EQ sliders set to no boost), maybe a slight drop at 300hz, set all other knobs at noon/neutral, and lastly, roll the low end downward on the 33hz slider as necessary to tighten the tone.

I used to own the 4 PRO and you need to watch out how much low end that head is putting out. At modest and/or neutral settings, the low end is BOOSTED. Oh, that Ultra Low knob, don't use it! I am going to nick name it: "Anti-Pantera" knob. After Vulgar, Rex focused more on shaping his tone to mesh with Dime even more. It allowed him to sit int he mix well and it never ran over what Dime was doing. Hopefully that will get you in the right direction.

Thanks for the advice. It got me really close to it although it's still not quite there, but i'll get it one day.
 
Very good info here! I also dig Rex Brown tone, but I'm having problems with the floppy strings when using drop tunings (I'm using .45). Do you guys know if using heavier strings can help?
Thanks!
 
Oh yes, I'm using .045, but I think I gets floppy when I tune 1 whole step down to D or more, to play heavy stuff like Pantera. I wonder if there is any kind of string that have more tension, or if I should use a higher gauge.
 
Oh yes, I'm using .045, but I think I gets floppy when I tune 1 whole step down to D or more, to play heavy stuff like Pantera. I wonder if there is any kind of string that have more tension, or if I should use a higher gauge.
Do whatever you think is necessary. Personally, I don't dig heavier strings, but if it feels floppy to you, they might work.
 
I can give you ideas on how to get closer to his tone, but as to what settings he used, there is not a magical way to get his tone. On Vulgar I think he was using the Music Man Stingray. His tone on that album really cut through in the upper mids (750-2khz) and he was a bit absent in the 500hz range. After Vulgar, I know he started using various distortion/overdrive pedals mixed in with his clean tone. He focused a good chunk of his attack in the midrange 500hz to 800hz since Dimebag's tone did not have much sound in that range. If any.

On your 4 PRO, start with the EQ sliders at the neutral setting (tone knobs doing the same thing), try boosting the 600-800hz range on the EQ sliders, use roundwound strings, play with a pick, and don't bother boosting over 5khz. Keep your low mids in check (150-300hz on the EQ sliders set to no boost), maybe a slight drop at 300hz, set all other knobs at noon/neutral, and lastly, roll the low end downward on the 33hz slider as necessary to tighten the tone.

I used to own the 4 PRO and you need to watch out how much low end that head is putting out. At modest and/or neutral settings, the low end is BOOSTED. Oh, that Ultra Low knob, don't use it! I am going to nick name it: "Anti-Pantera" knob. After Vulgar, Rex focused more on shaping his tone to mesh with Dime even more. It allowed him to sit int he mix well and it never ran over what Dime was doing. Hopefully that will get you in the right direction.

I know online articles say he started using them on Vulgar, but according to his autobiography, he didn't switch to a Music Man until the Far Beyond Driven album. However, the entry is a little confusing, because in the same passage, he says that Rachel Bolan of Skid Row turned him on to Spectors and after 5 minutes alone "I was a full blown Spector fan. I had to have one and I've played them ever since." Don't know if he's being forgetful, or if there is an error in the online rig down.
 
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In one interview he mentions boosting around 4kHz, and being very careful about that because Vinnie also boosts those freq on his kick drum. But at the same time, he says something like screwing the pickups all the way into the body to get the wood tone, which obviously is BS and magnetic PUs don't work that way. So not sure about taking Rex seriously.. That being said I am a BIG PanterA fan. \m/
 
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