So I see it's OK to speak honestly about anything but TC. All of a sudden, when it comes to TC there's a big line drawn, and anyone who brings it up has an agenda, right? Yes, it was my fault TC made those amps to work like that. How dare I ever mention it!
Hey, as I said many times before, the guy asked a question and I answered it. Maybe it IS broken, but my impression of them when I've played them is that it wasn't. Sorry if I'm wrong, but if you have a problem with me talking about the APM, take it up with TC because it sure as hell wasn't my idea.
BTW, I may play Ampeg, but honestly, I don't give a rat's ass what anyone else plays.
I think on this occasion, it would be best if we all just helped the OP. I totally understand you aren't happy with TC about the specs etc. To be honest, I have 'no dog in the fight' as I am happy with my amps, and yes, no doubt the OP should be told how the APM works in these amps.
But, after having the 450 and now the 750, I can personally state that they will stay very clean. Yes, they might sound 'compressed' at various points, but thats the whole tone idea with the amp. You can push these amps to the limit and they won't (well not IMO) clip nastily like, for example, a Markbass.
I believe the OP is acidentally overdriving the input (make sure that gain light is only flashing occasionally), has the Tubetone on a little, or the amp is faulty.
PS - Despite the drama around TC and Ampeg, and countless other brands, I still like TC, and I would like to get back into Ampeg at some point.
The other thing, totally off topic, is this. Why would TC make an amp with less watts and put in complex systems to limit it and bring out the volume, when they could have just left the power module as it is, or included a higher power one, for cheaper.
I am no amp tech, or engineer, so that's way out of my understanding im afraid.