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Ric vs. Jazz

I wonder what people who say they sound similar are listening to? An iphone? But I get it, everybody hears something different.

This thread has really opened my ears to the Ric, which I never really paid much atention to before. It’s super versatile, but that toothy character is always there. Plus, i had no idea that Ron Carter ever played electric bass! I’m thinking maybe he should have...never mind...

There was a time, from the late Sixties to early Seventies, when there was tremendous pressure for acoustic bassist’s to double on electric. Carter played electric and played it well, but decided to focus on his first love.:)
 
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For me, the essential difference between J and Ric is with the neck pickup solo, and I strongly prefer the Ric.

EDIT: Oh, I like the J bridge pickup solo better than the Ric bridge solo. Stingray seems to be a perfect blend.

Just sharing some interesting facts:
The Ric bridge pickup is a little closer to the bridge than the P D-G.
The Stingray H is very close to being a Ric bridge pickup and J bridge pickup (60's spacing) in parallel.
 
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There was a time, from the late Sixties to early Seventies, when there was tremendous pressure for acoustic bassist’s to double on electric. Carter played electric and played it well, but decided to focus on his first love.:)

Yep. I wasn’t aware of Carter going electric, but Rufus Reid, Ray Brown, Dave Holland and quite a few others did and returned to doublebass. Now I’m seeing a lot more electric in that music again. Even Larry Grenadier!
 
Yep. I wasn’t aware of Carter going electric, but Rufus Reid, Ray Brown, Dave Holland and quite a few others did and returned to doublebass. Now I’m seeing a lot more electric in that music again. Even Larry Grenadier!
That’s good. Both instruments have properties that the other can’t really copy.
 
Yep. I wasn’t aware of Carter going electric, but Rufus Reid, Ray Brown, Dave Holland and quite a few others did and returned to doublebass. Now I’m seeing a lot more electric in that music again. Even Larry Grenadier!

At the time there was still a bit of an old-fashioned ideal about playing your instrument. Those guys wanted to be masters of their instruments. Reid and Carter both felt that if they had to do both, they could no longer master either. They felt it was more appropriate for the younger generation to come in and take on the electric bass, so they could focus on the double-bass.

I have the version of Rufus' "Evolving Bassist" that included discussion of bass guitar. You can read between the lines in those pages where he's more or less laying out how different the instrument is, and the concepts are different.

I don't know about Ron Carter, but Rufus Reid certainly did more orchestral work - he was more than just a jazz guy. I think he felt he just had too much to do on the double bass to let a bass guitar steal him away.
 
At the time there was still a bit of an old-fashioned ideal about playing your instrument. Those guys wanted to be masters of their instruments. Reid and Carter both felt that if they had to do both, they could no longer master either. They felt it was more appropriate for the younger generation to come in and take on the electric bass, so they could focus on the double-bass.

I have the version of Rufus' "Evolving Bassist" that included discussion of bass guitar. You can read between the lines in those pages where he's more or less laying out how different the instrument is, and the concepts are different.

I don't know about Ron Carter, but Rufus Reid certainly did more orchestral work - he was more than just a jazz guy. I think he felt he just had too much to do on the double bass to let a bass guitar steal him away.


I have the book also, and have spoken to Rufus Reid about it. At the time it was beginning to look as if electric bass might completely replace double bass in jazz. So, many felt that they needed to play it to survive. By the early 80s it became clear that a jazz career focusing on double bass would remain viable.
 
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I have the book also, and have spoken to Rufus Reid about it.
I bought Rufus' book so long ago I don't even remember where it is, these days!
At the time it was beginning to look as if electric bass might completely replace double bass in jazz. So, many felt that they needed to play it to survive. By the early 80s it became clear that a jazz career focusing on double bass would remain viable.
Hence, Christian McBride, John Patitucci, et al.