I have to agree-set the neck flat as a pancake and lower the bridge pick up till it balances with the neck one then you will hear a rick in its glory when you put the selecter in the middle position.
+1
Yeah, years ago I had a blast with my Ric, even though it wasn't set up very well. It looked cool and sounded cool and thats all that mattered. I was young and stupid and quite a bit of a masher when it came to technique, so as long as I beat on it hard enough, it worked well enough for me.
When I began to play again after not doing so for about ten years, I realized my Ric was not set up well at all. Fortunately I learned how to set it up correctly after reading some of John Halls posts in another forum. The difference was night and day. It plays like a dream now, and it inspires a different approach to playing.
One other thing I suggest, since the quoted post talks of tone. IMHO you WANT the .0047 cap wired into the circuit of the bridge pickup. This is
key to the true Ric tone!
My 85 4003 did not have the .0047 cap; bypassing the cap had become such a common mod that Ric eliminated it in the early 80s. Well in recent years Ric added the vintage tone circuit, which added the cap back in and added a push/pull pot to engage or disengage the cap.
Well upon reading about this (I new nothing of the cap), I promptly added the cap to my bass, and presto,
NOW it REALLY sounded like a Ric. I mean, it always had
.but maybe not quite. It is a huge difference if you ask me. I ended up adding a mini toggle switch as well, to bypass the cap when I want. Nine times out of ten I have it in (vintage), but every now and then I pull it out as the classic Ric sound is not quite right.
So with the by-passable cap, tone controls, pick, fingers, and where and how you attack the strings, there are just so many sounds you can get out of it.
I have completely re-discovered this bass.