Hmmm... sounds good secretdonkey, sounds like you know what you want. I have a 1773 in my studio, and I like it a lot. I use it for many of the same purposes that BFunk does, and it's also not my favorite compressor for bass purposes (one of the reasons being the distortion you mentioned). I "like" coloration in a bass compressor, as long as it's the right kind. One of my favorite bass compressors is the old Urei LA-4, that one probably gets the most use for this purpose (it sounds great with a B3 too). It's an opto compressor, and it's very easy to use, just a couple of knobs on the front panel. I don't use compression live, I used to, but now I'm more inclined toward the "preservation of dynamics" philosophy. Of course a good compressor is invaluable (maybe even mandatory) in the studio. My arsenal includes several old Urei's (LA-2, LA-4, LA-22, 1176LN), some DBX's (160 and 165A), a Klark-Teknik (DN-504), the RNC, a StaLevel, a Level Devil, and the guts of a Fairchild 660. Mostly I use the LA-4 for bass, and sometimes the DN-504, the others are for different purposes. Anyway, if you ever get a chance to check out some of the vintage units, definitely do so. They're very different from anything you'll find at GC or at your local bass store.