Once you get into "what I hear" versus "what you hear" you are on a slippery slope indeed. Perhaps all any of us can hope for is to satisfy ourselves that we hear what we hear, without necessarily being able to convince anyone else of the distinctions.
I am playing bass with a singer/g**tarist with super ears, great intonation, great time...I remarked on the 'twang' of the roundwounds on my 51 P RI: he didn't hear it. I replaced the strings with LaBella DTB nylon-tape wounds: it sounded no different to him.
To me, it was night and day difference...but, I guess, that's my job. I'm the bass player. He only knows that the "feel" is the same, and that's all he cares about. Come to think of it, that's how I perceive his singing/sound, so there you are.
For the record, I own 6 basses: 4 have maple fingerboards, and I no longer play the other 2.
I am playing bass with a singer/g**tarist with super ears, great intonation, great time...I remarked on the 'twang' of the roundwounds on my 51 P RI: he didn't hear it. I replaced the strings with LaBella DTB nylon-tape wounds: it sounded no different to him.
To me, it was night and day difference...but, I guess, that's my job. I'm the bass player. He only knows that the "feel" is the same, and that's all he cares about. Come to think of it, that's how I perceive his singing/sound, so there you are.
For the record, I own 6 basses: 4 have maple fingerboards, and I no longer play the other 2.
