I've just put a set or .040-.100 Rotosound flats on my P bass. They are low output - I expected that. They are also quite rough for a flat, more like a groundwound/pressurewound string - I also expected that. They are also incredibly bright, so much so that to get a usable tone out of the bass, one that was not all high mids, I've had to turn down the 1kHz control quite a bit on my 800RB (like, 10 o'clock - that's quite a lot on the 800RB). And the treble too (more like 11 o'clock). Bear in mind that I like bright strings, I have Rotosound rounds on my other sort-of P bass. Also, although they are light gauge, they are very stiff and they produce some weird overtones. (No, they are not twisted).
I know that Rotosound flats were used by lots of British bass players in the '70s (Roger Waters, John Deacon, etc.) but what I'm hearing is nothing like that. (I know, you shouldn't base your tone considerations on what you hear on a record, but still, you should get "the general idea").
(I'm not against using EQ to the fullest, I'm not a "flat EQ fundamentalist", quite the contrary, but I have never had to apply such a strong correction).
I know that Rotosound flats were used by lots of British bass players in the '70s (Roger Waters, John Deacon, etc.) but what I'm hearing is nothing like that. (I know, you shouldn't base your tone considerations on what you hear on a record, but still, you should get "the general idea").
(I'm not against using EQ to the fullest, I'm not a "flat EQ fundamentalist", quite the contrary, but I have never had to apply such a strong correction).
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