I realize this. Does “earlier years” meet your semantic requirements?
My apologies for interjecting a comparison.
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Rotosounds change over the years?
- Thread starter TheArchitect
- Start date
My apologies for interjecting a comparison.
The Roto Bass do not have silk ends and therefore cost less.
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That's when the frets were made out of cheddar.
Can you tell I was fretting over it?That's when the frets were made out of cheddar.
If you have a Geddy Lee J bass, install these to round out the package. For some reason my strings seem to last longer but I wipe down the bass when finished with playing for the day and also bought a string cleaner. Change out every couple of months, rotos are cheap $20ish dollars a set. I use the light gauge 35-90 and that combined with relaxing while I play I can obtain good technique and lots of speeed. Anyway I really like these strings.
Yeah, actually now that I think about it, they were like that in the 90's too.
It must have been very late 90's - early 2000's when they switched to the cardboard box.
They've been in the foil pouch for at least a decade.
They weren't the "Solo" set were they?
They sounded just like 66SS rounds, but were actually flat wound.
Mostly, when I think of the dull grey, it was on the Roto's that young, cheapskate me boiled back to life.
I found it would refresh them for about 2 months, but gradually taper back to dullness.
The more times you boiled them, the quicker that process would happen, and the return to dullness became less of a taper, and fell off a cliff.
I definitely remember the box packaging, too. IIRC it was what they were using in the mid 90’s. I bought a set of SB66’s to put on one of my P-Basses for some recording that I was doing at that time.
I also tried the Billy Sheehan Signature set at that time, but I can’t remember if it was in the box packaging.
It was eons ago, but I’m pretty sure both the SB66’s and the BS66’s were the dull gray, “Unfinished” versions. The reason I say this is that I remember Rotosound stainless steel roundwounds had a “tacky” feeling, especially when they were new.
Also, back in the mid 00’s, I bought a few sets of Dean Markley “Blue Steel” stainless steel roundwounds. They also were gray, and had a tacky feeling to them when they were brand new.
The telling difference for me was that there's no 50-110 Swing Bass Nickel set, so RotoBass it has to be
Sorry, took me ages to find a photo of the early 90's era packaging.
The RS55 sets are still available, but the packaging is different now, which is why I didn't recognise them (and I forgot that they're pressure wound).
What back in the old days means is relevant. Not the 90’s. I was a Gibson or Fender flats user in 1968-. Rotos appeared soon there after. They were a game changer. The sound was distinctly new and fresh.
I don’t know if they changed since the ‘90s because I had long since stopped using Rotos. They died very quickly. As we said ate frets especially cheddar.
I found D’Addarios, DR and Elixirs that last three months of summer outside gigs. If I was touring and the budget was new strings each gig I might but why waist money and metal when my bass sounds the same every day?
I don’t know if they changed since the ‘90s because I had long since stopped using Rotos. They died very quickly. As we said ate frets especially cheddar.
I found D’Addarios, DR and Elixirs that last three months of summer outside gigs. If I was touring and the budget was new strings each gig I might but why waist money and metal when my bass sounds the same every day?
