• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Sadowsky Bright Nickels demo

Now that I've reversed the MFD split pickup on my G&L its Roto Bass nickel rounds no longer suit. Putting even more emphasis on the mids has boxed-in the combination of mid-heavy string and the thick MFD tone. All custard, no pastry.

At the moment I've a set of Chromes on. They get the basic balance right, but for me the woody edge of flats always sounds out of place with the MFD pickup. Pro Steels also got the balance right, but were a bit charmless.

In the past I've tried D'Addario XLs, Fender 7250s, GHS Boomers and DR Nickel Lo-Riders. None of them seem the answer right now, hence my looking at the Sadowsky Black Label Bright Nickels.

I've been using 50-110 Roto Bass and 45-105 Chromes, so I won't be bothered by the tension of the 45-105 set.
 
I think that strings are extremely subjective. Different basses take different strings in unique ways. For instance, I'm using Ernie Ball Slinky's on an MTD Kingston AG5 and I've never really enjoyed those strings on any other bass.

I've been using Sadowsky strings on my Sadowsky basses for quite a while and I don't really have a desire to use anything else on them, and I've definitely tried mostly because I'd love to have something a little more cost effective. But...they sound great and last pretty long, in fact I find that I leave them on twice as long as others that I've tried on the same instrument. I've not tried them on a Fender.

My main is a Sadowsky MV5 with single coils. The black label are a good even sounding string. I wouldn't say that they are scooped in the mids but they do not emphasize that range. They lean toward high tension, at least that's my interpretation, and are very well behaved, some might say naturally compressed. In contrast the blue label are a more average tension and have more midrange. I can go either way, although I would imagine that blue label would appeal to a wider audience, and they are the string that comes stock on new (main line) Sadowsky basses. The stainless versions of both exhibit similar characteristics to the nickels but add in the stainless flavor. I typically go stainless when I put on Black labels.
 
Last edited:
  • Like
Reactions: Ricky Rioli
.... I wouldn't say that they are scooped in the mids but they do not emphasize that range. They lean toward high tension .... and are .... naturally compressed ....
This write-up sold them to me. A set are on their way. Fingers crossed they turn to be the strings I'm looking for.

Unusually for interesting strings in the UK, they are reasonably priced, sold by the last remaining proper specialist bass retailer, Bass Direct.
 
45-105 Black Label Nickels have arrived and are fitted. Immediate impression is that while my bass sounds nothing like the bass in the demo, and my fingers really sound nothing like the fingers in the demo, the qualities I wanted are here.

There's enough tension to keep the sound vibrant under my very light touch. There's just enough top and bottom to counter the en-mids-ification of the reversed MFD pickup. I definitely wouldn't want the 40-100 or the Blue Label, these are the right ones for me.

My first set of 45-105 roundwounds since I sold my BB424 four years ago - I've managed to make the banal seem exotic :smug:
 
Last edited:
Doh....just started a thread about these strings...missed this one. I've had the Black Labels on my Sadowsky Metro Express for a little bit now and have been enjoying them. They are pricey but I'm hopeful they hold up for a while. I got the light gauge and they feel good and have what I'd consider a nice punchy tone.
 

Latest posts