Hey all,
I've been playing a new Sadowsky Metroline (German) Vintage PJ 5 for about a year now. I've read a lot about the historical practice of angling the P pickups downwards towards the outer sides of the fretboard, i.e. according to the radius of the fretboard. The bass came set up like this, but I noticed that the E and B strings were dramatically weaker sounding than the others. The A string had the highest output by far.
So now, I have the bass-side P pickup angled like this: closest to strings at the B-string side, and farthest away from the strings at the A-string side. The treble-side P pickup is angled as it should traditionally be (i.e. according to fretboard radius). This has evened out the output across all 5 strings (still not ideal), but I'm left wondering whether there is something wrong with either the setup, or the pickup.
Any input from you wonderfully knowledgeable lot?
Cheers,
J
I've been playing a new Sadowsky Metroline (German) Vintage PJ 5 for about a year now. I've read a lot about the historical practice of angling the P pickups downwards towards the outer sides of the fretboard, i.e. according to the radius of the fretboard. The bass came set up like this, but I noticed that the E and B strings were dramatically weaker sounding than the others. The A string had the highest output by far.
So now, I have the bass-side P pickup angled like this: closest to strings at the B-string side, and farthest away from the strings at the A-string side. The treble-side P pickup is angled as it should traditionally be (i.e. according to fretboard radius). This has evened out the output across all 5 strings (still not ideal), but I'm left wondering whether there is something wrong with either the setup, or the pickup.
Any input from you wonderfully knowledgeable lot?
Cheers,
J