I usually start the gain around 12:00, the blend at 9:00 or 10:00, set the bass at 12:00, and the treble at 1:00, and then adjust from there...
...There are some good sounds to be had, though.
Yes there
are! I crack-up on all the badmouthing about the ODB - I have
tried to find a better sound for the END of my high-gain distortion chain (I'm saying 'end of the
distortion chain' - the Space Echo, and sometimes a flanger, goes after it).
Now what that last sentence implies is that I don't use it alone... True: I never use it alone. In fact, I can't get it to sound good alone. Yeah - it sounds pretty terrible by it self...
The minimum is at least a compressor or an Aphex Bass Xciter BEFORE it (at its INPUT). I have several distortions, have borrowed several more, and have played with dozens and dozens at stores; the ODB-3 at the end is just what I want for my high-gain sound. And there's nothing out there that sounds quite like it..
My settings are level=volume match, bass/treble=12:30/12:00, blend=9:30, gain=MAXED.
My complete high-gain chain (at the moment) is custom compressor (squish/growl/distress type), MD-2, PQ-4, CEB-3, ODB-3 - all in the loop of an NS-2. Being that I'm talking about VERY high-gain, the NS-2 is mandatory!
The compressor and delay are not critical, and the MD and PQ can be replaced with a Diesel Dawg - so for what is still a very nice high-gain sound, I can narrow it down to Dawg > CEB-3 > ODB-3 - all in the loop of an NS-2.
Doesn't sound anything like an SVT, though...
Joe