I don't humidify my instruments, and I live in Colorado which is a high-elevation desert. Not bad in the warmer months, bone dry in the winter.
The reason I don't humidify is because for me, it's a bit like chasing a unicorn, and I don't think I can keep up the pace. It's one more maintenance chore I could do without, and I'm not sure the return on the investment is worth it.
I have purchased so many fretted instruments by now that had fret sprout right out of the box, I long ago accepted it as a common reality, and my tech files them smooth as a baby's behind for not a lot of coin.
The instruments I acquire have two choices if they want to stay in my arsenal: Adapt and survive or be cast out. That goes for the acoustics too. I figure if the guitar was put together correctly and the wood is worth a damn, they will adapt and survive. If they can't adapt, I have no use for them.
So far, adaptation and survival has been the reality for the vast majority of my solid-bodied and acoustic instruments from basses to electric guitars, acoustic guitars, mandolins, banjos, and ukuleles. I can't even remember the last time a humidity-related issue forced me to give up on and eliminate an instrument. It is surely few and far between, and I shed nary a tear.
IME, guitars that get too warm all of a sudden give up relatively larger quantities of moisture so quick that, after repeated over-exposure, they develop bad symptoms as they dry out that sometimes take heroic measures to correct if at all. One thing I do is avoid temperature extremes at all costs and try to keep my stringed instruments as close to room temperature as possible at all times. So far, so good.
The reason I don't humidify is because for me, it's a bit like chasing a unicorn, and I don't think I can keep up the pace. It's one more maintenance chore I could do without, and I'm not sure the return on the investment is worth it.
I have purchased so many fretted instruments by now that had fret sprout right out of the box, I long ago accepted it as a common reality, and my tech files them smooth as a baby's behind for not a lot of coin.
The instruments I acquire have two choices if they want to stay in my arsenal: Adapt and survive or be cast out. That goes for the acoustics too. I figure if the guitar was put together correctly and the wood is worth a damn, they will adapt and survive. If they can't adapt, I have no use for them.
So far, adaptation and survival has been the reality for the vast majority of my solid-bodied and acoustic instruments from basses to electric guitars, acoustic guitars, mandolins, banjos, and ukuleles. I can't even remember the last time a humidity-related issue forced me to give up on and eliminate an instrument. It is surely few and far between, and I shed nary a tear.
IME, guitars that get too warm all of a sudden give up relatively larger quantities of moisture so quick that, after repeated over-exposure, they develop bad symptoms as they dry out that sometimes take heroic measures to correct if at all. One thing I do is avoid temperature extremes at all costs and try to keep my stringed instruments as close to room temperature as possible at all times. So far, so good.
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