So I did something some people on here say they never do today. I drove a good ways to see my mom, and I had some time to kill near my girlfriend's house before she would get home, and I didn't want to drive all the way back to my house and waste gas, so I went to Guitar Center to play some instruments.
I spent some time in the acoustic room, as I am prone to do, and played some really lovely guitars. Mostly Gibsons and Taylors, to see if I could find anything among them that I liked better than my Martin D28 Retro, (which I did NOT.) I found one Martin 00028 EC Eric Clapton sig model that might have played just one tiny bit better than the D28, and I played a whole bunch of classical guitars, (and found that the Yamaha sounded and played the best, even though it was nowhere near the most expensive.)
So that was fun.
But then I got sad. REALLY sad.
I tried out a bunch of basses; nice American Made P-Basses; a couple of Squiers; a Gibson semi-hollow body; and others, and they all had one thing in common:
FRET SPROUT.
All I bought was a Y-Cord I needed, and when I was checking out, I told the guy at the register about the problem. I told him there was thousands and thousands of dollars worth of guitars getting serious fret sprout from the lack of humidity on the main floor, and mentioned that just a handful of house humidifiers, maybe about five, would save them. (they would, too.)
He said, "yeah, I hear ya man; that's really a bummer," and the expression on his face never changed.
I considered asking for the manager, or anyone who actually gives a crap, but then I figured, "nah."
But seriously. Some of those instruments are headed for being damaged beyond repair. I'm talking a wall of really nice basses, and some amazing guitars on the opposite wall. At least the acoustic room seems OK. They probably humidify that.
Why don't you spend a couple hundred bucks to protect thousands of dollars of instruments?
I think it's a valid question.
I spent some time in the acoustic room, as I am prone to do, and played some really lovely guitars. Mostly Gibsons and Taylors, to see if I could find anything among them that I liked better than my Martin D28 Retro, (which I did NOT.) I found one Martin 00028 EC Eric Clapton sig model that might have played just one tiny bit better than the D28, and I played a whole bunch of classical guitars, (and found that the Yamaha sounded and played the best, even though it was nowhere near the most expensive.)
So that was fun.
But then I got sad. REALLY sad.
I tried out a bunch of basses; nice American Made P-Basses; a couple of Squiers; a Gibson semi-hollow body; and others, and they all had one thing in common:
FRET SPROUT.
All I bought was a Y-Cord I needed, and when I was checking out, I told the guy at the register about the problem. I told him there was thousands and thousands of dollars worth of guitars getting serious fret sprout from the lack of humidity on the main floor, and mentioned that just a handful of house humidifiers, maybe about five, would save them. (they would, too.)
He said, "yeah, I hear ya man; that's really a bummer," and the expression on his face never changed.
I considered asking for the manager, or anyone who actually gives a crap, but then I figured, "nah."
But seriously. Some of those instruments are headed for being damaged beyond repair. I'm talking a wall of really nice basses, and some amazing guitars on the opposite wall. At least the acoustic room seems OK. They probably humidify that.
Why don't you spend a couple hundred bucks to protect thousands of dollars of instruments?
I think it's a valid question.