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That was one of the things I was looking at with the Sterling Stingray Short Scale...for comparison. The bridge is mounted close to the base of the guitar body and seems to shorten the reach on the fretboard. A couple of reasons I'm opting for short scale basses is my relative hand size (smallish for a guy) and how far I need to reach to get to the frets closest to the nut. I have minor shoulder issues in my left deltoid which makes hanging out on the first few fret an exercise in discomfort after playing for awhile or anytime playing the 34 inch scale bass. Welcome to old age. But yeah, I did notice that! Another question I should probably be asking seasoned bass player is "what is the downside to this particular bass guitar?" Given the position of the horn and the length of the neck and shape of the head-stock, I'm thinking neck-dive shouldn't be an issue with the Stingray SS.
Great idea!!I used a ceiling fan pull chain pendent to extend the horn. It was cheap and easy to install. You'll need a longer screw.
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That was actually one of the SS basses available to me. Buyer's remorse. Can't find it now.Ibanez Mikros
I actually mentioned the Junior Jet/G2220 in an earlier post, as a bass I've played that balanced well on a strap. That particular instrument - borrowed from a friend - was certainly much heavier than I expected. I'm betting that weight, plus the wide strap, helped it behave, but you're right. The strap button is on the 15th fret, and looking at pics, I would immediately think it would have serious neck dive.One example (of many) is the often-recommended Gretsch G2220 short-scale, which some people call well balanced. The strap button is at the 15th fret! I've played at least 4 in different stores. While a couple balanced okay on my knee, they all had serious neck dive on a strap.
Sometimes aesthetics win out over practical considerations. I can’t understand why people play Gibson Thunderbirds, either, but they have their devotees. If pure functionality was the only factor we’d all be playing Steinbergers.Actually the question that is really bugging me is this: Why would a guitar manufacturer engineer a guitar body that has inherent neck-dive built-in to the design when it would seem an easy enough engineering/design task to make sure that the guitar was designed to have no neck-dive at all, especially considering that most guitarist don't really want to deal with neck-dive issues? And yet?
I recently got a Mikro lefty bass, and it is both small and light (perfect size for enlightened guitarists!). While some view it as a "budget" or "student" bass, it's received positive reviews for its strong P/J pickups. Any neck dive on your bass should be taken care of with a grippy, suede or suede-like strap. Check out such items for sale on Reverb or eBay from an international seller, and best of luck!I bought an Ibanez Short Scale bass sight-unseen as I literally could not find a music shop in Chiang Mai Thailand that carried any short scale basses to try out. Unfortunately it has terrible neck-dive and makes playing standing up a real uncomfortable chore. On top of that I can't find a reasonable priced 4 inch strap here in Thailand either.
Considering that I'm playing bass a lot (I played guitar for two years in a half-assed manner, but when I picked up a bass I simply "Switched On") I'm considering an upgrade to a better short-scale bass with little, or preferably, no neck dive as well as a quality build and good sound. I'm eyeing Sterling by Musicman Stingray Short Scale bass but I'm also open for suggestions. Any bass I buy in Thailand will cost me 30% more than the same guitar in the US due to tariffs, so I want to try to keep the cost around $1000 USD. And as well, no music store will stock it so I will also have to buy this sight-unseen. It sucks not being able to "try before I buy" but it is what it is. I gotta rely on suggestions. Thanks!