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Should I buy a fretless?

I kind of did this - no double bag yet. I have fretted and fretless Roscoe 5‘s. Really all I need. My wife bought me a Roscoe Classic P for Christmas so I have one more that I keep in the rotation. It’s my “Pino” bass. Same color and everything.

Took me a long time and a lot of swapping to get to this point, but I pretty much know what I want and like, and for me, Roscoe is it.

After years of window shopping on here I am pretty tired of GAS and just want to play. Im resolved to the fact that Im never going to play a bunch of high end gear. But a Roscoe is one that I really do want to try. Going to be a 40th gift to myself I think.
 
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I headed over to the neighborhood tech to grab it from a set-up long ago and mentioned that I should order a set of covers...he said "why order?!?" and pulled out an old tool-box from under the work bench that was filled with chrome covers he'd removed for people back in the 70's. 10 Bucks later I had a set of jazz covers and a P-bass bridge cover. For a while I used that on this bass too, to retain the look but have more access. I actually had to remove the original foam from the Jazz bass bridge cover.

wow that's really awesome!! cool story!
 
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After years of window shopping on here I am pretty tired of GAS and just want to play. Im resolved to the fact that Im never going to play a bunch of high end gear. But a Roscoe is one that I really do want to try. Going to be a 40th gift to myself I think.

I feel like if you really do find that fretless is a thing for you (obviously it is for some and not others), then you benefit from having better quality fretless. Not that a cheaper one can't be good, but a low setup on a fretless is a finicky thing. Its super easy to get the wrong kind of 'character' on areas of the fretboard, or certain strings in regions of the neck...so having a board that's been precisely trued and a neck that isn't super 'mobile' when it comes to relief or twist for atmospheric differences is important. Were I to get another fretless, I'd really want a multi-lam neck and honestly, good graphite reinforcement at the least.
 
After years of window shopping on here I am pretty tired of GAS and just want to play. Im resolved to the fact that Im never going to play a bunch of high end gear. But a Roscoe is one that I really do want to try. Going to be a 40th gift to myself I think.

The problem I have with high-end basses is that they're all so *good*! It makes you want to own *all the basses*. It's a good thing for me that my tastes don't run to the exotic. The two basses I own now are as exotic as I would ever need or want an instrument to be.

My StingRay is the epitome of the Leo Fender style of instrument: ash body, maple neck, pau ferro fingerboard (would prefer ebony, but I'm OK with pau ferro), and gorgeous transparent finish with matching headstock. That will never not work for me. The only thing out of the ordinary with mine is it has the piezo bridge and I put on a black pearl pickguard that looks like a million bucks, but only cost about $30, I think.

My Warwick is fancy without going totally over the top: solid flamed big leaf maple body, ovangkol neck, ebony fingerboard. Natural oil finish, though I might have preferred a gloss varnish, in the end. She's really just a production instrument with a couple of custom options, equivalent to today's German made Teambuilt models.

I've been fortunate to live relatively near high-end dealers in the past, so I've played stuff like Pedullas and Zons, and such, and while I'd be thrilled if someone gave me one, I don't feel any particular need to save up for something like that. The $1500-2000 level of bass or guitar is all I'll ever need, just a proper pro level production instrument, with maybe a few custom options to suit my particular tastes (piezo, certain pickups, matching headstock finish, certain pickup wiring, that sort of thing).
 
I’ll say this, once you get bit by the Fretless bug, it’s all over! I have to force myself to play my fretted Basses, because my Fretless is just so much fun and such a pleasure to play.

The choice of frets v. less for me is more about musical genre than about what I feel like playing. Rock music, for the most part and in my opinion, really sounds best with a fretted bass, but a fretted bass can sound awkward in some types of jazz or roots/folk/Americana/country/bluegrass.

In all the years I've played both, I can only think of one song with my shoegaze/dreampop band that actually sounded better on my fretless.
 
The choice of frets v. less for me is more about musical genre than about what I feel like playing. Rock music, for the most part and in my opinion, really sounds best with a fretted bass, but a fretted bass can sound awkward in some types of jazz or roots/folk/Americana/country/bluegrass.

In all the years I've played both, I can only think of one song with my shoegaze/dreampop band that actually sounded better on my fretless.
Nothing wrong with that train of thought. It’s all about loving what you play. It’s funny but with a Fretless I find I look at the fretboard far less and rely on my ears, but with fretted I look at the fretboard. I know, I’m strange. Lol
 
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