Yes, that's right - I bought a black label EBS Unichorus to A/B with my trusty reissue EHX Clone Theory!
I'm still in the process of playing with these pedals... I'll be playing with them at high volumes this weekend at a jam session, so based on that, I'll be able to decide which to keep.
But so far, here's what I've compared/contrasted between these two fine chorus pedals!
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CONTROLS: Just to recap my previous reviews and discussions, The Clone Theory is simple - one Depth Knob, one Rate knob, a Mode knob (for switching between the Chorus 1, Chorus 2, and Vibrato modes), and stereo outputs. The first chorus mode disables the Depth knob, and is very much like the Small Clone. The second chorus mode is what makes this pedal special. The third mode is vibrato - and while it's weird and cool when combined with other effects, it has terrible low end loss.
The EBS Unichorus is equally simple - a three-position mode switch, a Depth knob, a Rate knob, and stereo outputs.
SOUND: The Chorus mode of the Unichorus is fantastic - it's warm and overall great sounding. It's very different than the Clone Theory, though - this one actually sounds like it's actually detuning a pure duplicate of your signal (it's what a chorus pedal is supposed to do). In that sense, the effect is undeniably authentic and true to what chorus is supposed to be. The Clone Theory, on the other hand, actually alters the tone of the signal it gets, and makes the tone somewhat brighter. In addition, the Clone Theory can get much wilder in terms of depth and rate while keeping definition; the EBS Unichorus can "out-crazy" the Clone Theory, but it gets a bit too bizarre and muddy at max Depth and Rate for my tastes..
The Unichorus' Flanger mode is pretty cool, but not for the flange maniac. It works by changing the delay time of the pedal (normally 3ms, I believe) to 5ms. This allows for a warm flanging effect, but it's also why some people complain it's too mild. Honestly, I think it's great if you're not looking for an extremely pronounced flanger.
The Unichorus' Pitch Modulation mode goes further with a 10ms delay time, allowing for significant vibrato-like pitch warbles that make it more like a Clone Theory on more extreme settings. Once again, however, it's not as bright as the Clone Theory, but the effect is very similar. I think that's what makes the Clone Theory unique - its unusual delay time. I'm surprised that the Unichorus can pull off some similar extreme tones. Once again, it gets bizarre and muddy above 3:00 for depth and rate, so it's best to stay behind that. But there's still plenty of range to play with.
NOISE: The Clone Theory is known to have some noise, which normally is mild and forgivable, but can be bad under certain circumstances (check out my previous Clone Theory threads to see what I'm talking about in depth). The EBS Unichorus, on the other hand, is pretty much dead silent in terms of noise on any mode, which is really impressive, IMO.
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I really love both units, but they are indeed very different. In the end, I'm only going to keep one... and by playing with them at loud volumes, I'll be able to determine which pedal I'll end up keeping!
I'm aware of the wet/dry trimpot inside the EBS Unichorus, but I haven't toyed with it yet. I don't think I'll need to; in the end, my choice narrows down to the single factor of tone.
EDIT: Still switching them up! I think I'm leaning towards the Clone Theory again
Soundclips in post #17!
I'm still in the process of playing with these pedals... I'll be playing with them at high volumes this weekend at a jam session, so based on that, I'll be able to decide which to keep.
But so far, here's what I've compared/contrasted between these two fine chorus pedals!
-------------------------
CONTROLS: Just to recap my previous reviews and discussions, The Clone Theory is simple - one Depth Knob, one Rate knob, a Mode knob (for switching between the Chorus 1, Chorus 2, and Vibrato modes), and stereo outputs. The first chorus mode disables the Depth knob, and is very much like the Small Clone. The second chorus mode is what makes this pedal special. The third mode is vibrato - and while it's weird and cool when combined with other effects, it has terrible low end loss.
The EBS Unichorus is equally simple - a three-position mode switch, a Depth knob, a Rate knob, and stereo outputs.
SOUND: The Chorus mode of the Unichorus is fantastic - it's warm and overall great sounding. It's very different than the Clone Theory, though - this one actually sounds like it's actually detuning a pure duplicate of your signal (it's what a chorus pedal is supposed to do). In that sense, the effect is undeniably authentic and true to what chorus is supposed to be. The Clone Theory, on the other hand, actually alters the tone of the signal it gets, and makes the tone somewhat brighter. In addition, the Clone Theory can get much wilder in terms of depth and rate while keeping definition; the EBS Unichorus can "out-crazy" the Clone Theory, but it gets a bit too bizarre and muddy at max Depth and Rate for my tastes..
The Unichorus' Flanger mode is pretty cool, but not for the flange maniac. It works by changing the delay time of the pedal (normally 3ms, I believe) to 5ms. This allows for a warm flanging effect, but it's also why some people complain it's too mild. Honestly, I think it's great if you're not looking for an extremely pronounced flanger.
The Unichorus' Pitch Modulation mode goes further with a 10ms delay time, allowing for significant vibrato-like pitch warbles that make it more like a Clone Theory on more extreme settings. Once again, however, it's not as bright as the Clone Theory, but the effect is very similar. I think that's what makes the Clone Theory unique - its unusual delay time. I'm surprised that the Unichorus can pull off some similar extreme tones. Once again, it gets bizarre and muddy above 3:00 for depth and rate, so it's best to stay behind that. But there's still plenty of range to play with.
NOISE: The Clone Theory is known to have some noise, which normally is mild and forgivable, but can be bad under certain circumstances (check out my previous Clone Theory threads to see what I'm talking about in depth). The EBS Unichorus, on the other hand, is pretty much dead silent in terms of noise on any mode, which is really impressive, IMO.
-------------------------
I really love both units, but they are indeed very different. In the end, I'm only going to keep one... and by playing with them at loud volumes, I'll be able to determine which pedal I'll end up keeping!
I'm aware of the wet/dry trimpot inside the EBS Unichorus, but I haven't toyed with it yet. I don't think I'll need to; in the end, my choice narrows down to the single factor of tone.
EDIT: Still switching them up! I think I'm leaning towards the Clone Theory again
Soundclips in post #17!
