I'm self-taught and my playing, recording and mixing 'skills' come from experience. Today I tried something that I haven't tried before and I liked the result! I decided to share it with you guys.
I used to record bass in mono and just play with the EQ, compression and volume to properly seat the bass in the mix. Usually, it sounded...... weird.
Today however, I recorded 2 bass tracks at the same time, while one is panned 100% to the left and the other is panned 100% to the right. This allowed me to lower the volume of the bass by 3db but still retain the sitting-on-top-of-the-mix volume without clipping.
Recorded on a Precision with flats through an Ampeg head (Gain on full, Compression around noon and the Ultra-Lo button on). I stop playing around 55sec so you can hear how it sounds without me.
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This is a small difference but I hope it helps someone achieve a better mix without struggling too much!
I used to record bass in mono and just play with the EQ, compression and volume to properly seat the bass in the mix. Usually, it sounded...... weird.
Today however, I recorded 2 bass tracks at the same time, while one is panned 100% to the left and the other is panned 100% to the right. This allowed me to lower the volume of the bass by 3db but still retain the sitting-on-top-of-the-mix volume without clipping.
Recorded on a Precision with flats through an Ampeg head (Gain on full, Compression around noon and the Ultra-Lo button on). I stop playing around 55sec so you can hear how it sounds without me.
Invalid Link Removed
This is a small difference but I hope it helps someone achieve a better mix without struggling too much!
