Mr. Foxen
Commercial User
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3015 for a 15 in a box, the LF needs a midrange unless you are doing dub or something.
One advantage a 2X15 or two stacked fifteens has is that the added height positions the drivers closer to ear-level; a HUGE advantage in my book.
That said, the cabs I gig with the most are 3-way designs, so if I could obtain a great 1X15 that incorporated a mid driver on an angled baffle aimed up toward my ears, I might be satisfied with a 1X15.
So you gotta ask yourself one thing, how cool are you? Not quite. Adding a second cab gets you an additional 6dB of voltage sensitivity. That can be a major factor if you have an amp that's rated at less than 250w/8 ohms, which is most tube amps. The single cab 3015LF option is viable if you have enough power to push it, but V4B and Fender Bassman 100 or for that matter Hartke 3500 owners won't benefit from its capabilities at all.Same result as another cab
I think 2 1x15's is the sensible option, for sure. Less chance of doing yourself any damage. Leave one at home and one at the rehearsal studio etc etc.
However. I have a 2x15. Because its cool as f***.So you gotta ask yourself one thing, how cool are you?
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I just put my LDS 15/6 up on a stand. Same result as another cab but the stand weighs 22lbs and cost 89 bucks. The fEarful type 15/6 is rated at about 500 watts at 8 Ohms. I don't gig frequently but my last 2 gigs were a large indoor hotel hall with 300 people and a small outdoor party-loud rock band-the master on my M9 never reached noon and I did not go through our PA at the outdoor gig. YMMV. Here's an older pic of the cab and stand (the GB head is gone)
that's very cool. but i don't know, bro...some people think this is pretty cool, too:I think 2 1x15's is the sensible option, for sure. Less chance of doing yourself any damage. Leave one at home and one at the rehearsal studio etc etc.
However. I have a 2x15. Because its cool as f***.So you gotta ask yourself one thing, how cool are you?
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So......are you cool, Punk?!
