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sixp?

Yep. Fivers became common back in the late 80's, right? The Stingray fiver debuted in 1987, anyway. I didn't switch to fiver until 2000, but still had to wait years for traditional-looking five string P-basses to become available. The first I found was from Lull, then Sadowsky and Fender offered P-bass fivers.

Anyway, as you say, P-bass players tend to be traditionalists, and that's why the demand for 5 and 6 string P-basses has been relatively low.

I like the traditional sound of a P-bass, but I find the lack of low B string frustrating. You lose so many useful positions & options without it. Now, I never could get into a 6 string, but I'd love for Fender to put out a 6-string P in the Vintage Modified series, just for screwing around on.
 
Yeah the TL6 is an ok bass I guess.

835_crop_zps7887f3ee.jpg

Damn!!! Nice harem you have, there! I don't know if my eyes are playing tricks on me, or what, but, the body on the black TL6 (Far right), looks much wider than the others. Any difference?
 
I like the traditional sound of a P-bass, but I find the lack of low B string frustrating. You lose so many useful positions & options without it. Now, I never could get into a 6 string, but I'd love for Fender to put out a 6-string P in the Vintage Modified series, just for screwing around on.

My P-bass has a low B! It even has a J pickup and still sounds like a P-bass when the J is turned off. But then it's a modded Squier.

Fender doesn't even seem to have a Jazz 6er since the Steve Bailey thing got discontinued, let alone a p-6er. When I got my SX jazz clone 6ers I decided I really liked the idea of a passive jazz 6er (My main Fender Jazz is a Deluxe V) and that got me thinking of how cool a P-bass 6er would be given how much I love my 5er P/J. But as for Fender leading the way, I don't think Fender does things "just for screwing around" and if they do, they quickly come to their senses and and discontinue whatever it was they were selling that was so cool.
 
THIS is gonna do it for me:
6 string
BEADGC
Scale length 35"
Nordstrand NP6 pick up centered @ 29.5" from nut
No control pots. Jack on top.
Spanish cedar body
Myrtle top?
Port Orford neck
Maple fret board w/side dots only
Small frets
Satin Hipshot “A” bridge and ultra light tuners
19 mm bridge
Flush mount Dunlop strap locks
 
THIS is gonna do it for me:
6 string
BEADGC
Scale length 35"
Nordstrand NP6 pick up centered @ 29.5" from nut
No control pots. Jack on top.
Spanish cedar body
Myrtle top?
Port Orford neck
Maple fret board w/side dots only
Small frets
Satin Hipshot “A” bridge and ultra light tuners
19 mm bridge
Flush mount Dunlop strap locks

Who's building this?
 
My P-bass has a low B! It even has a J pickup and still sounds like a P-bass when the J is turned off. But then it's a modded Squier.

Fender doesn't even seem to have a Jazz 6er since the Steve Bailey thing got discontinued, let alone a p-6er. When I got my SX jazz clone 6ers I decided I really liked the idea of a passive jazz 6er (My main Fender Jazz is a Deluxe V) and that got me thinking of how cool a P-bass 6er would be given how much I love my 5er P/J. But as for Fender leading the way, I don't think Fender does things "just for screwing around" and if they do, they quickly come to their senses and and discontinue whatever it was they were selling that was so cool.

I picked up the VM Jag V. That P pickup solo'd is awesome! Still wish it was a 6-er
 
Yep. Fivers became common back in the late 80's, right? The Stingray fiver debuted in 1987, anyway. I didn't switch to fiver until 2000, but still had to wait years for traditional-looking five string P-basses to become available. The first I found was from Lull, then Sadowsky and Fender offered P-bass fivers.

Anyway, as you say, P-bass players tend to be traditionalists, and that's why the demand for 5 and 6 string P-basses has been relatively low.

I think G&L (Leo era) preceded even Lull - the L5000 debuted in 1988.