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Sliding chords on fretless

See below.
Typically used for 4ths in DB, but on EB works for 3rds - octaves.
Christian McBride forks like crazy every time he's in thumb position, and also when double stopping wherever.
From this book:



Screenshot_20260406_100355_Word.jpgScreenshot_20260406_100345_Word.jpgScreenshot_20260406_100340_Word.jpg
Indeed. I know "spooning" but "forking"? :)
Indeed. I know "spooning" but "forking"? :)
 
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OK, so adjacent fingers on notes a 4th apart on adjacent strings. Now you mention Joel Quarrington it makes sense, but doesn't make sense for electric bass guitar in the way he does it on a string bass, i.e. as logical modification of thumb position, and so not really necessary where there is unfettered access to the upper positions. I often use adjacent fingers to play 4ths, but the fingers don't become parallel to the strings:
4ths_4.jpg
4ths_6.jpg
 
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OK, so adjacent fingers on notes a 4th apart on adjacent strings. Now you mention Joel Quarrington it makes sense, but doesn't make sense for electric bass guitar in the way he does it on a string bass, i.e. as logical modification of thumb position, and so not really necessary where there is unfettered access to the upper positions. I often use adjacent fingers to play 4ths, but the fingers don't become parallel to the strings:
View attachment 7468535View attachment 7468536

You have to adapt it for EB, and it works well, for me, as I said, for thirds to fifths on adjacent stings. For me, it also works for 6ths and 7ths on non adjacents. The idea is to keep the wrist high and so the fingers arch well. It works perfectly for me. To be clear, I adapt the concept. It may or may not work for others. I can assure it can be effective, for me, the higher up the neck the better. Will it work for others? I do not know. That's why I started my input here with the words "For me."
 
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See below.
Typically used for 4ths in DB, but on EB works for 3rds - octaves.
Christian McBride forks like crazy every time he's in thumb position, and also when double stopping wherever.
From this book:



View attachment 7468517View attachment 7468518View attachment 7468519

Ok thanks. So just playing the same fret on two different strings with two different fingers? fourths or minor sevenths or minor 10ths. I do it all the time but never heard that term.
 
Ok thanks. So just playing the same fret on two different strings with two different fingers? fourths or minor sevenths or minor 10ths. I do it all the time but never heard that term.
If you've seen Joel play you will see there is more to it than that, with fingers almost parallel to the strings and often spread wide open across 3 strings. My daughter was fortunate enough to do a masterclass with him a year or so back, and has incorporated some of the ideas into her own technique.
 
If you've seen Joel play you will see there is more to it than that, with fingers almost parallel to the strings and often spread wide open across 3 strings. My daughter was fortunate enough to do a masterclass with him a year or so back, and has incorporated some of the ideas into her own technique.

If you play a fourth on two strings with 12 or 23 or 34 and try them to be in tune (fingers both in almost the same spot on neck) your wrist automatically goes higher and your fingers come more parallel to the string, otherwise is not possible to play it in tune. You don't have to do a special technique for that cause it sort of happens automatically.
 
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ok thanks. I studied upright for 15 years but stopped a year ago. is that are video of Joel Quarrington explaining or showing the technique? I know him but never really studied him.

I'm sure there are some out there, but I got my vids from a QR code included with the CSODB books.

He also has a couple vids on Tonebase, but that's a subscription site.

I'll poke around after work when I have some more time.
 
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If you play a fourth on two strings with 12 or 23 or 34 and try them to be in tune (fingers both in almost the same spot on neck) your wrist automatically goes higher and your fingers come more parallel to the string, otherwise is not possible to play it in tune. You don't have to do a special technique for that cause it sort of happens automatically.
It is difficult to show 3D shapes in 2D images, but that's what I found to be true - technique is borne of necessity, regardless of what you call it.
 
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I'm sure there are some out there, but I got my vids from a QR code included with the CSODB books.

He also has a couple vids on Tonebase, but that's a subscription site.

I'll poke around after work when I have some more time.
check out the samples for his discover double bass course (maybe courses), not specifically forking, but you can extrapolate.
 
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Indeed. I know "spooning" but "forking"? :)
Yeah -- If I explain forking in relation to spooning in explicit terms I will probably get an infraction warning or even be banned from TB :D

I think it is a thumb position thing on the upright when you play double stops or triple stops. . Your fingers look like a fork. I never heard it called that way.
 
Amen. Got to see him once (with Hedges! and George Winston!) - truly amazing.

OP, can I ask a question? I just listened to "Individual Thought Patterns" (the song) and while I heard some cool fretless work in there I did not hear any sliding chords as you described, just some (really cool) sliding individual notes (or maybe double-stops). Is there a place in the song where this is happening so I can listen for it again? Thanks!! EDIT WHOOPS wrong song - I got it, sorry! I failed reading comprehension today.
I attended a clinic by Michael Manring in Seattle about 15 years ago. there were 12 people in the audience. it was like having a private demo/instruction session by one of the most accomplished bass guitar players ever. He truly is awesome.
I have yet to hear any sound on a fretless that he cannot duplicate live.
 

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