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So… who’s not using a compressor at all ?

My live playing involves "bad" technique like windmill powerchords, slapping while jumping up and down, punching the syrings, picking up the whole instrument by the B string and dropping it and all sorts of other poor taste overplaying. I always use one. Dont get me wrong, i have the talent to stand in back and play even volume eigth notes, but a show is supposed to be a show.
Now I want to see you live!
 
Compression doesn't have to be an either/or proposition.

I haven't stopped using compression. However, I only use it when it's appropriate for me to do so. Which in my case is maybe a third of my playing time.

Compressors also don't all work or sound the same. Different compressors are better for doing some things than others. A lot depends on the music, the bass, the player, and the sound you're looking for. It's not usually wise to generalize when it comes to compressors. And just because the compressor you've tried didn't do anything special for your sound doesn't necessarily mean that no other compressor can, or ever will be, of use to you some day. :)
 
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I bought one, a Boss pedal, back in the late 70's when everyone said it was completely necessary for slap and pop. Perhaps, I never learned to use it to full advantage, but I hated it in live performance because, no matter how I set it, it took away from my control of dynamics. After a year or so, I stopped using it. I lent it to a bass playing neighbor of mine a few decades ago and have never bothered to ask for it back. When recording, the engineer always uses compression to some degree.
 
Just curious. So far I have a compressor to limit the peaks of some effects… but those have recently been replaced… not sure I need to compress anymore.

Who stopped using a compressor and did you regret it?
I stopped using mine a good while ago. I don't like the "catch" and also, I get stronger, more consistent notes without it. And also, I have control over my tone.
 
Live, no compression on EBG and just a touch on upright. Recording, I'll use two virtual compressors at either end of a virtual processing chain - with a little light compression ar the start and the option of some very heavy compression at the tail. Unless you're a savant, or have the luxury of unlimited recording time to get the perfect take, or just like lo-fi sound, compression can be your best friend in the studio.
 
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Former compressor addict (Dave Pomeroy: "You should turn your compressor off once in a while, just to show you can do it.") For a long time I never left home without an EBS Multicomp, a BBE stomp, a clean boost, and a tuner. Showed up one gig without any of them. End of the first set, sound guy says "You sound great, what did you do?" I haven't used any of them since.:D
 
Most bassists don't need to own a compressor. The sound engineer will apply the necessary compression at the sound board. (In fact, a lot of sound guys prefer that you not send them a compressed signal; it gives them less to work with.)

(And for home recordings, there is a lot you can do with software plugins these days.)

But compressors sure are pretty, though. This was my collection at its peak. I still have the Cali76 and the Union LAB.

fivecompressorsDSC_0070.JPG
 
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