Look at a group of pictures selected randomly showing 70 s P basses and jazz basses ... 70s jazz basses almost always appears to be much more road worn with a bad opaque resulting finish and a completely orange headstock ... this is the impression I’ve got with notable exceptions of course and I don’t know why ... I don’t like them aestetically in these conditions ... then, of course, many people like the orange headstock but to me this is a little too much in terms of natural relicing ... I’d pass over
You do indeed have a very refined and narrow aesthetic. Perhaps that is a natural result of looking at one thing critically for so long?
I likewise find my taste in Precisions narrowing to ash bodies and maple fingerboards. Little things like Hootenanny buttons which once charmed and intrigued me are meaningless to me know. In fact, a thread I did on tug bars featured a poll suggesting that the appendage was confusing to non-initiates, who thought it some sort of training wheel
.So I understand your critical eye, but tend to disagree. For instance, I like the vintage tint necks irrespective of era. And as we discussed on the Precision thread, I don't share your preference that neck and body necessarily must appear to be of the same vintage to seem "right." To me, Fenders are from a parts bucket, ultimately -- and that is their strength and charm.

), with a twist of Yahtzee thrown in, for good measure...


