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Low mids onlyEveryone talks about how great 'vintage tone' is, but what is it?
To me it makes me think of what you get with dead strings and highs rolled off. Thumpy round tone, which I can achieve with basically any bass and any amp.
What do you think makes 'vintage tone'?
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Depends on any number of narrow definitions. Underpowered amp?Everyone talks about how great 'vintage tone' is, but what is it?
To me it makes me think of what you get with dead strings and highs rolled off. Thumpy round tone, which I can achieve with basically any bass and any amp.
What do you think makes 'vintage tone'?
View attachment 4222880
Yes you can.it's not a thing at all , most classic recordings used and plethora of gear and instruments , just as they do today . You can't just say P bass when there were Dano's , hollow bodies , shorties etc etc... you name it .
That is way more accurate than tossing around the words "vintage tone"Yes you can.
I can also say that cats are the true rulers of Earth, and we are their slaves.
It’s an uncomfortable truth.That is way more accurate than tossing around the words "vintage tone"
Well, it's true you can certainly roll off the highs and use dead old strings on any bass. How desirable a tone you get is dependent on other factors as well. There's more than one kinda thump. Sometimes it's just dead, a lifeless blur. Other times, if done properly it's the holy grail. As always, depends on what the music calls for....To me it makes me think of what you get with dead strings and highs rolled off. Thumpy round tone, which I can achieve with basically any bass and any amp....
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‘Vintage’ tone, to me, is something generally more mid-range forward with attenuated highs over 4 kHz or so, and also with less low bass. It’s a tone profile (or range of profiles, really) that organically resulted from the sound reproduction limitations of popular speaker cab designs of the 60s and 70s like the B-15, SVT Fridge, etc. Many of these cabs have a characteristic ‘bump’ somewhere in the lower midrange that can help the bass sit well in certain mixes. Tube amps are often used for this application, sometimes pushed into overdrive.
To contrast, ‘modern’ tone resulted from advancements in frequency reproduction capabilities in newer cab designs that use ports and tweeters to extend the lows and highs. Many of the these cabs have a pronounced ‘scoop’ in the upper midrange/low treble and a glassy sounding top end, giving them a different kind of sonic signature. Solid state amps are often used for this application, and are run clean, sometimes with compression.
This:
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