A couple of thoughts from a former-life retail analyst on Wall Street...now lets see how many of you I can piss off.
First of all, the Music Instruments (MI) industry is a dinosaur industry that does not exhibit the kind of growth needed to attract anything but "high yield", i.e. speculative investment.
It was a blessing in disguise for Bain to have LBO'd GTRC, because as a public company, it was a low-growth, low P/E basket case of a stock.
Why do I say dinosaur?
- low profit margins, that get particularly stressed in times of economic crisis (which we've experienced going on about 7 years now)
- highly fragmented manufacturers - biggest company Yamaha has maybe 10% of the overall MI industry, Fender maybe 8-9%. Those are hunch numbers, I haven't looked at the real numbers in years.
- Low barriers to entry - Just go to NAMM and see how many companies make "fender shaped objects" and a basement full of low-priced copy-cats from China that just want to get a toehold
- like it or not, guitar (not bass) sales drive industry sales. At best, guitars are a GDP-single digit growth industry, and at worst, have been falling for years even before the Great Recession. That is because the best market demographic with the highest disposable income, baby boomers, are aging. They are retiring from bands and cutting back on buying gear faster than new kids are entering and buying gear. When you combine this with competition from video games, and huge cuts to arts and music education in nearly every school district in the country, there is a dearth of new buyers entering the market. Only things like Guitar Hero/Rocksmith and School of Rock have kept most of the chains in business.
- all the other "stuff" in the M&I industry, like pro-audio, software, keyboards, drums, band instruments, pianos, are all impacted by the same factors that impact guitar sales, and at best are GDP-growth (single digit growth) kind of sub-sectors.
- lack of innovation - other than home recording gear, I can't see that much of the stuff you use to make music has dramatically changed in the past 50 years. Sure there are new things at the margins, but the Beatles got by with guitars, bass, drums, mics, amps,...and a little help from their friends, little has changed in 50 years.
If the MI business is not that great, the retail MI environment shares many of the same faults. GC/MF/M123 is the big dog and dominates the market for most MI stuff, but its market share is still probably less than 33% because of fragmentation with
Sweetwater, Sam Ash, online retailers like Amazon, crap sold by Best Buy and Target, and all the local music stores making up the rest. It's usually good to be the big dog, if you have muscles that you can flex. GC has been buying up competitors for years, and they have a lot of clout with manufacturers (both need each other in this dinosaur industry). Normally, that would lead to better results, more ability to charge monopoly-like profits. But that's not been GC's model. GC's model is big-box category killer, make it up in volume model. So GC is the Wal-Mart of MI.
This has left GC to abandon the boutique type of gear, and generally sell only the entry level stuff with any velocity to it, because that's where the revenue is (not necessarily profit margin, but velocity is the key to big box retail).
This is actually a blessing in disguise for the few mom & pop stores that "get it". Mom & pops can survive by not trying to fight GC, but doing the things that GC can't do very well. Which is catering to high-end customers wanting high-end gear (like many of us on TB), and providing after sale services. I suppose the "music lessons" model works somewhat, although I've never really seen it work as well as most retailers think it does (the foot traffic sells more things like accessories at tiny margins but that's about it).
Being a boutique requires capital in the form of high priced inventory, and relatively high-priced service techs, but can work if the real estate is cheap, and you're selling in a relatively affluent market with few boutique competitors. And of course, you need an online presence, to allow your affluent customers to find you.
So with all that rambling, I hope its clear to you all, that 1) the market for gear we love is just not that great a business, and 2) GC deserves its fate because it chose to become the Wal-Mart of music.