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A wood endpin would have to be custom made for a particular bass. Any luthier that is half way decent using a lathe could make one for you. There was a time when nearly all basses had wood endpins.bassteban said:Does anyone have info on these? Ron Carter uses one made of snakewood. Thanks.
Bob Branstetter said:A wood endpin would have to be custom made for a particular bass. Any luthier that is half way decent using a lathe could make one for you. There was a time when nearly all basses had wood endpins.
Former NYC luthier Charles Traeger wrote a paper for the Catgut Acoustical Society in which he talked about how the increased acoustic coupling between a wood endpin and the floor produced greater sound output. I've never tried it myself because I'm not willing to give up the convenience changing heights obtainable with an adjustable endpin.
Sorry, but I'm not old enough to have been around when most endpins were wood. However, I think it's a pretty safe bet that they tailpiece wire went around the endpin. Otherwise, there would be a lot more basses with the separate knob around today. Most of the old wood endpins I've seen have a removable "rod" portion that was tapered on one end to fit the socket part. Perhaps they were made long and the player would cut or have it cut off to the desired length. I don't really know. However, as it is today, it would be a simple matter to make the "rod" portion any length you wanted it on a wood lathe.jneuman said:Bob
back in the day, when all endpins were wood, did the tailpiece attach to the endpin or a separate knob? Were the endpins removable? Did different size people use different lengths?
jneuman said:Bob
back in the day, when all endpins were wood, did the tailpiece attach to the endpin or a separate knob? Were the endpins removable? Did different size people use different lengths? Just curious. By the way I saw an old Italian bass at World of Strings recently that iseems to be in current orchestral use (based on the strings that were on it) which had the old style boxwood endpin. Unfortunately I didn't get a chance to ask Jon about it.
My understanding (from a Bassplayer article) is that you would have one full size- tailored to your size- for playing & a short one for transport.
Jon
Bob Branstetter said:Sorry, but I'm not old enough to have been around when most endpins were wood. However, I think it's a pretty safe bet that they tailpiece wire went around the endpin. Otherwise, there would be a lot more basses with the separate knob around today. Most of the old wood endpins I've seen have a removable "rod" portion that was tapered on one end to fit the socket part. Perhaps they were made long and the player would cut or have it cut off to the desired length. I don't really know. However, as it is today, it would be a simple matter to make the "rod" portion any length you wanted it on a wood lathe.
Ray Parker said:I would guess a wooden endpin wouldn't look right unless you wore buckle shoes and your pants tucked into your calf-length stockings.
I don't know anything about Jamerson....Clue me, did he have a hook?freemole said:The hook worked for Jamerson...

hdiddy said:One more thing: Jamerson was a jazz player supposedly
Marcus Johnson said:He used a one finger technique that was dubbed "the hook". Not sure what he did when playing DB.
I tend to use 1 finger on BG & index+ring together on DB. I'm certainly not cool, though...Marcus Johnson said:No big deal at all. Unusual for a slab player, maybe.
Paul Warburton said:Alot of guys including myself use one finger. What's the big deal? Ray brown for the most part did as well.
I use two on sambas and sometimes walking, but for solos....one.