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Some People (Guitarists) Never Learn

Then he starts every practice by spending about an hour trying to reduce the feedback and make his guitar sound less muddy.

Tell him "If you're going to play a hollowbody you may as well embrace the feedback" and tell him to map out all the hotspots in the room with masking tape like Ted Nugent does. If he hates feedback this should be a valuable exercise.

Then when I bring over my strat and plug it straight into my 5w all tube Blackheart Little Giant amp he says wow that sounds great, why can't I get my guitar to sound that good?

This one seems pretty simple; play your guitar while he's frustrated and fiddling about (time's wasting anyway right?). When he comments that it sounds good, tell him to troubleshoot. Troubleshooting involves removing everything from the equation to isolate problems.

So step 1: have him play his guitar into your amp. Then have him play your guitar into your amp. Which does he like the sound of better?

Step 2: Plug your strat into his amp while dropped to C. Does it sound better than his semi-Feedbacker? Which does he like the sound of more: your amp or his?

It should be that simple. WHAT DO YOU LIKE MAN?! If he was satisfied with crappy tone he wouldn't be wasting 25% of each rehearsal time. If you dedicate an entire practice session to tone and actually make progress your band will save 2 hours a month or more!
 
So, he likes his sound muddy. In the interest of team work, have you given any though to sculpting YOUR sound around HIS? Whats your sound like? Find a supportive sound that meshes well with what he's giving you, maybe add a buzzy cutting distortion to compensate for his lack of highs?
 
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So here's the issue: the guitarist in my band is stubborn as a mule when it comes to tone. He makes pretty bad choices when it comes to guitar choice, pedal choice, amp choice, tuning choice, etc. then wonders why his guitar sounds muddy.

He plays a semi-hollow body guitar from some unknown company that he bought for like $200 that already sounds really muddy and bassy with very hot pickups, then he runs whichever fuzz pedal he bought that week because he wasn't happy with the previous one (he thinks tone comes from pedals) then he runs that into a bunch of other pedals he barely uses into a cheap amp half stack that even the clean tone sounds muddy on.

Then he starts every practice by spending about an hour trying to reduce the feedback and make his guitar sound less muddy.

When I tell him it sounds muddy and feeds back because it's a semihollow guitar with too hot pickups and way too high gain fuzz into a crap amp at a drop C tuning and that doing the same thing over and over again expecting different results is the definition of insanity he takes it personally and argues with me by saying he likes his tone deep and fuzzy.

I try to tell him he doesn't need that much low end because, hello, I'm over here playing bass. I've got the low end covered, he should focus on the mids and highs if he wants to be heard in the mix.

Then when I bring over my strat and plug it straight into my 5w all tube Blackheart Little Giant amp he says wow that sounds great, why can't I get my guitar to sound that good? I just roll my eyes. Then later I suggest trying a guitar with single coil pickups or at least something less hot, he says he doesn't like single coils.

I don't know what to do with this guy. It's like somebody struggling to build IKEA furniture without the instructions and I'm over here waving the instructions like, it would be much more efficient if you just follow these. I'm trying to help!

Assuming that you've posted this thread to seek solutions, as opposed to merely venting, you are asking for a musical solution to what is essentially a non-musical question. The basic question here is one of judgement - not musicianship. And it pertains to you - not to the guitarist.

Based on all the hassles you've just shared with us, if accurate, it's very clear that this guy is simply not a very good guitarist. He's not a very good musician. By now I think you can safely conclude that what you see is what you get.

So then the only remaining question is, are you prepared to settle for what you've got? Or will you take the initiative to find a new, and better guitarist?

In my experience, bands are a bit like marriages: To really work, there must be a very good fit of temperaments as well as values, because the work that goes on between and among the partners tends to be so personal, even intimate in nature. That puts a premium on really getting the people issues right...then focusing on implementing one's agenda (personal or musical). Until you've laid a firm foundation on the first issue, anything you try to build on the second issue will remain inherently unstable.

Based on the things you've just shared, I'm not persuaded that you've done your homework on the people issues. Get yourself a guitarist who can really play, with his gear issues already sorted out. Or continue to spin your wheels with the guy you've got now.

MM
 
Some people can change. Most can't. So don't wait around to long if he doesn't change soon. 'Cause you're not on a good path in my experience.

My last band's guitar player had a tone that was ice pick bright. I took some time of consoling and some gear advise from me, but he started to get some bass and mids in there and things improved. Until, he later went back to old habits. Band never took off anyway. So I'm glad he quit and put an end to it all.

I played in other band where the guitarist used an odd alt tuning because that's all he knew (he was self taught). One day, he decided he was gonna go "strait" with a standard tuning. It sounded like crap! The band broke up soon after.

I have to wonder what type musical style you would want a hollowbody and drop C tuning together with??? Maybe while playing on you're own but it is a very odd setup with a band. I mean, drop C for metal works. Hollowbody for metal? Not so much. I could see this set up in some kind of roots blues band though. Who are your guitarists influences? Does he sound anything like them? If not, he needs to hit the woodshed.
 
I have two of those! The two guitards in my band both have high end gear...les paul's, PRS's into really good amps and cabs, and they still sound like crap. Both put the gain all the way up and have really thick tones that cover everything. You can only hear the lowest fundamental of the bass, no clarity at all, so I might as well be playing a $100 bass directly into the board. Me and the drummer/singer have politely hinted at it many times and they say they get it, but then its the same old same old at gigs. Its to the point that its probably going to split up the band of 5 years because its just a wall of indistinct distortion when you walk out front at gigs.
 
Tell him "If you're going to play a hollowbody you may as well embrace the feedback" and tell him to map out all the hotspots in the room with masking tape like Ted Nugent does. If he hates feedback this should be a valuable exercise.

Steve Howe has some good suggestions too:
I think I was lucky in getting good 175s that tended not to feedback as much as things like L5s and Super 100s because jazz guitars definitely do feedback. And also, the other ingredient is you mustn’t have too much bass or middle on your amp, otherwise that will encourage the bass to feedback. Obviously don’t stand in front of it in a way that produces the feedback. The fourth reason that I thought of is that I use a volume pedal, so if it does feedback, I can control that. I always use a volume pedal—that came from hearing steel guitar players. And the volume pedal means I’m always under control; I can turn the guitar off, tune it, and have it quieter when I want it when the singer is singing. Also, I can voice my notes, so they’re not like Perpetual Change—it starts with voiced chords as opposed to just chink-chink-chink. So there’s a couple of ideas; get lucky with a guitar, tune your amp so that it’s not got too much bass end, and use a volume pedal.​
 
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with guys like this, it isn't really about playing; they are tinkerers.

I jammed with some random people just last night in a basement.
the guitarist is a gear junkie but was up and running in 10 minutes flat, had a great tone and wasn't loud. plugged a mic into channel two of said amp and sang thru it-real simple and effective.

I get the impression from these folks that playing is where it's at.

I have played with people where it takes three hours to set up a PA the size of an airport just to play in a basement.
 
He just needs one of these:
talent-booster_zps25531be4.jpg
 
I have to wonder what type musical style you would want a hollowbody and drop C tuning together with??? Maybe while playing on you're own but it is a very odd setup with a band. I mean, drop C for metal works. Hollowbody for metal? Not so much. I could see this set up in some kind of roots blues band though. Who are your guitarists influences? Does he sound anything like them? If not, he needs to hit the woodshed.
Alternative Rock, influences are Soundgarden, Queens of the Stone Age, etc.
 
He just needs one of these:
View attachment 665372

Oooooooo, I need one of these..

That being said, communication is key. I've had guitarists issues in the past, talking resolved most issues. If that doesn't work, maybe it's an issue that can't be resolved in a band situation.
I don't have the luxury of just firing the guy and find twelve more with pocket change in my area, so we do work on our issues, otherwise, we end up not playing for a long time until the opportunity rise again.
 
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