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I was going to say sell all your basses and get a Yamaha, but I guess you can play around with the EQ settings like others have advised.Hi all.
Firstly apologies if I've posted this in the wrong forum but I think it's more of a bass issue than an amp or hardware one.
I've noticed that when I'm playing in the band I'm in that when I go to play on the D and G string that the sound disappears. We play rock standards.
I play a MIM fender precision bass, an aerodyne jazz, a squier classic vibe precision and a Warwick standard streamer. I use and Aguilar tone hammer 350 through a Aguilar sl112. The amp is Di'd though. I have the gain at 10 o'clock, the drive at 8 o'clock and everything else flat with the bass up a little.
Does anyone have any ideas as to how I solve this?
Thanks
Peter
Hmm, interesting comment. Would a second 1x12 cab help push more air with the same amp?First, I do not own any Aguilar gear, but it looks like you are running 175 watts into a 112 cabinet. Everything flat with a slight bass boost. If you are in a loud band, you are probably coming up short amp wise. Lots of good advice here on EQ settings and pick up height, but you say your rig sounds fine at home. I'm thinking you need more muscle.
Scooped as in "scooping them out," removing them. Basically it's when people boost their lows and highs and cut their mids. Especially if they do so drastically.Hey! I like this thread. For two reasons.
1) I have the same problem, and would love to hear advice from all you more experienced players.
2) I am finally able to ask (with limited fear of ridicule, and by not offending anyone with my lack of Google-fu skills) what does scooped mean? (In this context as in scooped mids) -- Is that turning it up, or down?
Hmm, interesting comment. Would a second 1x12 cab help push more air with the same amp?
Try adjusting the pickup a little closer to the strings on that side. And try getting a pair of SWING BASS ROTO SOUND CUSTOM STEVE HARRIS STAINLESS STEEL FLAT WOUNDS. Steve of IRON MAIDEN uses a 79' Fender P-Bass and plays finger style with his custom flat wound strings, gauges 50.75.95.110. With really low action plays very easily and you can hear his Bass great, every single note, and he has a drummer, singer, and 3 lead guitarist and he still cuts right through the busiest mix's with no problem at all.Yeah same problem on all 4 basses. It's not so bad with the two precision basses (the squier is the 50's style one with one straight pick up) but on the Warwick and the aerodyne the two strings really don't cut through. It's like I'm not playing. I use 45-100 gauge strings. Flat wound on the MIM p bass. I play finger style mainly, I use a pick on a couple of tracks.
Down, Scooped mids means mid boost knob turned down past the halfway point mostly all the way down, which gives the Bass guitar a really nice sound by itself, but in a busy mix you really can't hear it to good. Now when you add mids your bass won't sound as smooth, the mid turned up will make your Bass sound on the harsh side by itself, but in the mix you don't hear that harshness at all. And now you can cut right on through the mix. I like having 2 double humbucking pickups with active 3-band EQ on my Bass guitar so I can just reach down and add some mid range with a quick turn of a knob if needed.Hey! I like this thread. For two reasons.
1) I have the same problem, and would love to hear advice from all you more experienced players.
2) I am finally able to ask (with limited fear of ridicule, and by not offending anyone with my lack of Google-fu skills) what does scooped mean? (In this context as in scooped mids) -- Is that turning it up, or down?