Hey, guys,
While at rehearsal, last night, I got serious sound issues from my acoustic B100c, going direct into the board, from the line out jack. A sound engineer was present, and indicated that, when hearing into via headphones. And even after every little adjustment, there was either a hum in the engineer's headphones, or, when I turned on the overdrive on my amp, there were, believe it, or not, radio frequencies.
But when we went from the line out connector to plain mic'ing the amp, the engineer said the sound was much better. I have another sound check, before service, on Sunday, to confirm. This time, I've been asked to bring my Ampeg direct box (I normally don't use the DI, live) to see if I can keep the line out connection. If not, I will have to keep it mic'd.
Question: Is my B100c amp a problem? Or do I have basic grounding issues? I'm now wondering if I have to change my amp.
Oh, I alternate between a '62 Reissue P and a MusicMan SUB....
While at rehearsal, last night, I got serious sound issues from my acoustic B100c, going direct into the board, from the line out jack. A sound engineer was present, and indicated that, when hearing into via headphones. And even after every little adjustment, there was either a hum in the engineer's headphones, or, when I turned on the overdrive on my amp, there were, believe it, or not, radio frequencies.
But when we went from the line out connector to plain mic'ing the amp, the engineer said the sound was much better. I have another sound check, before service, on Sunday, to confirm. This time, I've been asked to bring my Ampeg direct box (I normally don't use the DI, live) to see if I can keep the line out connection. If not, I will have to keep it mic'd.
Question: Is my B100c amp a problem? Or do I have basic grounding issues? I'm now wondering if I have to change my amp.
Oh, I alternate between a '62 Reissue P and a MusicMan SUB....