I disagree a little. I say the older solid maple Euro models were 70% of what the USA models are in construction, 50% in finishing and materials and about 70% in sound/tone.
I have to disagree a little with you.
I've owned about 10-15 Czech/Euro.. from SSD dot inlays, Script Logo Dots, Script logo Crown, Script logo Sandwich bodies.
The best European Spector I owned was my 1st one. It was an early SSD Dot inlay with no serial # and a Haz-Lab style preamp. I wish I still had this bass. NS4-CR. The neck was VERY similar to the 2 US 4's I owned, (Kramer Era NS2 and Woodstock NS4)
When I worked at Sam Ash (about 15 years ago) I saw a lot of Euro Spectors neck thru's and the quality is and has always been up there with the US series neck thru's
The necks through the years on the Euros 4's have gotten slightly chunkier but are still very comfortable to play.
The necks on the Euro 5's, IME have always been slightly chunkier than the US NS5's. The 2 US NS5's I've owned in the past (still own one of em) are probably the most comfortable neck of any Spector I've ever owned.
The Tone Pump Preamp, IMO, is the biggest downgrade Spector has done to the Euro line. IMO, it does not have the Spector Sound. IMO, all the European Sepctor basses I;ve owned that came stock with either the Haz-Lab style, EMG BTS and Aguilar OBP's have always had the Spector sound.
I can tell you from a personal standpoint... because I was a Spector owner and player before I started working for Stuart... The nicest guitar I'd ever touched was my Euro Spector... Until I got my USA. And the difference is really quite notable. And not that the Euro is anything other than the nicest bass you're likely to come across... the USA models are just that much more perfect. If that makes any since. They are heavier, more solid feeling, the necks are just about the same in feel, but the USA Bridge is massive and solid compared to the Euro... which again is not a cheap bridge by any means.
I can just about totally agree with this.
