Bought a Euro 5 string and love it, but can anyone tell me the differences between the two? Is the Euro "junk" compared to the usa model. Just wondering if anyone can fill me in on these?
I work for Spector. And I own three Euros and two USA models.
The Euro models are excellent. True production versions of our hand-made USA basses.
Euro Series Neck-Thru models have the same USA Rock Maple Necks (we ship the blanks to our Czech shop from our NY shop), truss rods and extruded graphite supports. The fingerboards are different. The USA has a higher-grade Pau-Ferro. But the heart of our USA and Euro Neck-thru basses are the same.
The main difference is the body (wing) wood quality, the electronics and the finishing.
90% of the USA models are done by hand. Whereas the Euro models, while some aspects of the construction are done by hand, most is done with computer assisted routers, etc...
The USA materials are higher quality. The wood used in the wings (unless an EX - Exotic Wood Model) are made of solid AAAA Quilt Maple. The wings of the current Euro Models are a mix of Walnut, Alder and Flame Maple. All of it European in origin.
The person who said the tone circuits are the same unfortunately doesn't know what they are talking about. Not trying to be ugly. But they didn't bother to educate themselves before speaking.
Our USA 9v tone circuit is a solid-state board-type circuit that hasn't changed in design since 1979. It is the core of "the Spector Sound". That growly low tone the NS-2 is known for. Made for us by HazLabs... these are truly unique. The 18v is basically the same core components but on a different board and with slightly different controls.
Our USA Bolt-On models have the very clean and powerful Aguilar OBP-3 circuit in them.
The Euro Tone Circuits are all 9v and use modern processors/circuitry that were specifically designed to emulate the 9v USA Solid State circuit. It's called a TonePump and whereas the tone is similar to the USA circuit, it's not a perfect match. But very, very close. As opposed to the OBP circuits, the TonePump sounds dirtier, grittier. They are usually very hot and have an on-board trim pot for output. I always recommend that this be adjusted when you first get a Euro Series Spector. Set this at a little over 50%. This is the sweet spot (at least to my ears) for this circuit.
The USA Models have active EMG P/J for the NS-2... the same as the Euro4LX Classic model. But the NS-4, NS-5XL and NS-6XL have EMG DC pups, the Euro4LX-TW, Euro5-LX and Euro6-LX have the single/dual coil switching EMG TW pups. I have a Euro4LX Classic and a Euro4LX-TW-35 as well as a USA NS-4. And all three guitars are very different tonally. Which is awesome because I have a lot of tonal choices.
I can tell you from a personal standpoint... because I was a Spector owner and player before I started working for Stuart... The nicest guitar I'd ever touched was my Euro Spector... Until I got my USA. And the difference is really quite notable. And not that the Euro is anything other than the nicest bass you're likely to come across... the USA models are just that much more perfect. If that makes any since. They are heavier, more solid feeling, the necks are just about the same in feel, but the USA Bridge is massive and solid compared to the Euro... which again is not a cheap bridge by any means.
The turning ratio on the 14K gold Gotoh G7 tuners are more precise... tuning a USA is so much easier than tuning a Euro. The shaft of the G7 tuner is much thicker than the Schaller. And the Schaller is a good tuner. But the Gotoh G7 is the nicest tuner I've ever used. And they do not lose tune.
The bodies are nearly identical. The differences are where the necks meet the headstock and the necks meet the body. That's it. The fingerboards are shaped differently where they meet the body.
The Abalone inlays are really pretty, but I think I like the MOP better... they create more contrast and are easier to see.
So how about this. On a scale of 1 to 10... the Euro Spector is a solid 9 on my scale. And the USA is a 14.
Yeah... that works.
I was thinking about a 5-string... because I needed a B string bass. And I wasn't going to shell out the extra $$ for a USA NS-5XL... I wanted a Euro. I ended up getting the Euro4LX-TW-35 in BEAD... And for a bass I'll use 10% of the time, I actually would have been happy with a Korean-Made Legend Classic Spector. They are nice basses. I have a 22 year old Korean Made NS-2A and I love that bass.
But my next will be a USA NS-2. I won't get rid of my Euro4LX Classic... it was a gift from my wife. But when my new USA NS-2 arrives, the Euro will probably collect dust.
They all pretty much collect dust now... I play my USA NS-4 70% of the time now. It's just an amazing instrument.
I say for most people, the Euro is a perfect solution. It's a lot of guitar for the dollar. Like someone handing you the keys to a new Porsche... It was a free car. Right... so are you going to be unhappy with it and want a Lamborghini instead? Most people would be perfectly happy with the Porsche. You know?
Lastly, I have a simple philosophy... When talking about the Korean-Made, Czech-Made or USA-made Spectors... I really haven't found one that I wouldn't own in the place of any other bass on the market in the same class.