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Sponge at the bridge??

the cool bit about lee barker's sponges is that they are double-sided with different levels of mutey-ness.

They are the second best thing I've found to the original Fender mute. It required a bit of fiddling to get it right, and anything that's not "in the cover" has the possibility of getting jostled out (plus I like that the cover...well...covers it so you don't have to answer a zillion questions about it)
 
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Pieces of foam from electronic gear packing. Different sizes for more/less muting.

B10mutes.jpg
 
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watching a documentary on tv called in the shadows of Mowtown. Seeing a live performance with Bob Babbitt playing his P bass with a sponge under his strings at the bridge. Is that done on particular pieces that contain a lot of staccato fast playing? There's a video of "can't find my way back home" on YouTube where the bass player has the sponge under the strings again.. I see a lot of players now with a dampener of some sort that they're wrapping around the neck. Is this same thing.

It is for those who have not mastered palm muting yet ... ;):cool::roflmao::smug:
 
It is for those who have not mastered palm muting yet ... ;):cool::roflmao::smug:

Per a number of sources (Carol Kaye, Jimmy M, my wrists) palm muting while picking causes a lot of unneeded stress on your wrists.

If you do it often and fast enough it'll cause injury. Injury which can be avoided by using a .02 cent piece of throwaway foam.

Hence the reason why folks use them.
 
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watching a documentary on tv called in the shadows of Mowtown. Seeing a live performance with Bob Babbitt playing his P bass with a sponge under his strings at the bridge. Is that done on particular pieces that contain a lot of staccato fast playing? There's a video of "can't find my way back home" on YouTube where the bass player has the sponge under the strings again.. I see a lot of players now with a dampener of some sort that they're wrapping around the neck. Is this same thing.

Foam mutes are usually used to get a kind of dull, thuddy tone. The things that people wrap around the neck serve an entirely different purpose. Those are for preventing sympathetic vibration when you do tapping techniques, and they have no effect on the tone of the instrument.
 
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I use the foam you get in most Seymour Duncan and dimarzio pickup packages. Works great. I use elixir nano web rounds right now and put the foam under when I want a more direct thump. It's obvious that it deadens the note and cuts sustain but there is still sustain to be had there and it gives the string a more focused sound.
 
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Per a number of sources (Carol Kaye, Jimmy M, my wrists) palm muting while picking causes a lot of unneeded stress on your wrists.

If you do it often and fast enough it'll cause injury. Injury which can be avoided by using a .02 cent piece of throwaway foam.

Hence the reason why folks use them.
^^^This! I feel the stress even if I use my thumb rather than a pick. That's why I use the foam and my fingers. I do like the tone a little better when palm-muting, but it's not worth the stress on the wrist.
 
Per a number of sources (Carol Kaye, Jimmy M, my wrists) palm muting while picking causes a lot of unneeded stress on your wrists.

If you do it often and fast enough it'll cause injury. Injury which can be avoided by using a .02 cent piece of throwaway foam.

Hence the reason why folks use them.

I don't believe that ... I have been palm muting for more than 30 years and no problems
 
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I don't believe that ... I have been palm muting for more than 30 years and no problems

Are you generally playing 16ths or faster at or above 150 bpm with a pick? Or doing multiple sessions a day?

Doesn't happen to everyone, since the amount you stress your wrist is basically wholly contingent on how hard and fast you play.