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Squier Classic Vibe 2019

Hey, does anyone know anything about the pickups on these basses? I noticed that they have cloth pushback wire, which is unheard of on cheap import guitars, and they sound fantastic. Anyone know if they were based on any particular pickup, or have any info on their construction?
 
Hey, does anyone know anything about the pickups on these basses? I noticed that they have cloth pushback wire, which is unheard of on cheap import guitars, and they sound fantastic. Anyone know if they were based on any particular pickup, or have any info on their construction?

They're good, they're voiced like the 70s real ones, lots of highs; to sound edge cutting!
 
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I just finished noodling around with mine - until today I always had the tone rolled off 2/3rds because I hate the sound of fresh rounds! Now that my strings are nicely broken in I thought what the heck and wound that tone knob up full - oh my! Digging in and playing aggressive fingerstyle plus some light slap sounded amazing, these really are great pups :hyper:
 
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Hmmmm.....

The tall thin fret on indo Squier actually has pretty similar fret size use on Ibanez SR3xx and Cort Action bass. Still larger than the vintage fret use on Pre-china CV bass which absolutely low, tiny and thin, but never meet wear issue on china CV bass with my prefer low action from 2012 until 2020.
Interesting because these are definitely thinner and taller than the frets on my 2003 Washburn XB125 5er or my 2012 G&L SB-2. Time will tell I guess.
 
Sorry, I'm almost cross-posting now, but since this thread is alive and kicking, I'll ask here as well:

has anyone compared (with real experience) the "new" CV to the G&L Tribute? How do they generally compare in terms of tone, stability and frets/finish details?
I have to be honest: I quite like the fact that the labeling for their Tribute line is rather discreet, as opposed to the Fender/Squier range. I guess marketing plays a key role too for Fender's name and their price point.

Besides, what are in your opinion the CVs that sort of stand out? I haven't tried them myself, but to me it seems that the 60s jazz is quite well received (that sonic blue might help as well) and P-wise, that 70s seems nice.
 
my gf has been thinking of picking up a new bass. she's narrowed it down to the classic vibe 70s V and the sub ray 5 . any opinions on which is generally the best quality ? she likes how both sound . doesn't seem to care about the string spacing much. i had one of the vintage modified jag ss from 5 years ago and was disappointed with the quality but probably just had a dud.
 
Hey everyone! Glad to see this thread alive again! A couple of months ago I picked this 70's CV up. I have played a lot of Fenders and this thing is better than most.


You seem to find a broad positive consensus on those who reviewed it. Nato, the wood choice for the body, is quite singular as it's very akin to mahogany rather than ash or alder, but that's just a factor... Does yours sound rather rounder on the highs and focused on the midrange compared to a "snappy" tone associated to the average ash body? Again, that's just one factor and things are not absolutes, especially when speaking of wood and tone...

How does it feel weight-wise? Since you mentioned you tried a lot of Fenders (and I presume also the higher range) how does it feel in terms of fit and finish and fret smoothness on the edges?
 
Sorry, I'm almost cross-posting now, but since this thread is alive and kicking, I'll ask here as well:

has anyone compared (with real experience) the "new" CV to the G&L Tribute? How do they generally compare in terms of tone, stability and frets/finish details?
I have to be honest: I quite like the fact that the labeling for their Tribute line is rather discreet, as opposed to the Fender/Squier range. I guess marketing plays a key role too for Fender's name and their price point.

Besides, what are in your opinion the CVs that sort of stand out? I haven't tried them myself, but to me it seems that the 60s jazz is quite well received (that sonic blue might help as well) and P-wise, that 70s seems nice.

I have a Tribute LB-100 as well as one of the new Squier CVs. I have the tribute strung with rounds and the Squier with flats. I also resprayed my tribute with a coral finish.

Weight - My CV is slightly lighter. The Tribute is a shade over 9lbs

Neck - The tribute is definitely a fatter neck. My preference is the bigger neck but I get along well with the tribute.

Setup - I bought the tribute from Music Live, no setup was needed. Came great out of the box and I havnt touched it. The Squier I had to do some work on. Other than the general adjustments (truss rod, saddle height) I had some sharp fret ends. Rounded the edges and polished the frets.

Pickups - The CV pickups were brighter than I like (I know its a 70s thing) but I swapped them out for EMG Geezers. I believe the tribute pickups use the same pickups as the us line. I have a us line LB100 and they sound close enough to me.

Tuners- both tuners could be better but next swap on the CV is going to be tuners.

I enjoy both of them and they are my p-style basses I play out

Hey everyone! Glad to see this thread alive again! A couple of months ago I picked this 70's CV up. I have played a lot of Fenders and this thing is better than most.

Overall from an aesthetic point of a view I think these look sharp. I can get on with the neck shape but maybe I had a bad example but I had some sharp fret ends. Easy to remedy if you know how. Both my MIM Fenders P and my Squier CV needed basically the same amount of work out of the box.

my gf has been thinking of picking up a new bass. she's narrowed it down to the classic vibe 70s V and the sub ray 5 . any opinions on which is generally the best quality ? she likes how both sound . doesn't seem to care about the string spacing much. i had one of the vintage modified jag ss from 5 years ago and was disappointed with the quality but probably just had a dud.

I have actually owned a Sub Ray 5 for a couple of minutes. It was a fine instrument if you are looking for that sound. I was looking for one to put flats on as my #1 is a Sting ray special. Ultimately I got 2 examples and they were heavier than I would have liked.

Quality is going to be similar. The Sterling will likely have a beefier neck.
 
I have a Tribute LB-100 as well as one of the new Squier CVs. I have the tribute strung with rounds and the Squier with flats. I also resprayed my tribute with a coral finish.

Weight - My CV is slightly lighter. The Tribute is a shade over 9lbs

Neck - The tribute is definitely a fatter neck. My preference is the bigger neck but I get along well with the tribute.

Setup - I bought the tribute from Music Live, no setup was needed. Came great out of the box and I havnt touched it. The Squier I had to do some work on. Other than the general adjustments (truss rod, saddle height) I had some sharp fret ends. Rounded the edges and polished the frets.

Pickups - The CV pickups were brighter than I like (I know its a 70s thing) but I swapped them out for EMG Geezers. I believe the tribute pickups use the same pickups as the us line. I have a us line LB100 and they sound close enough to me.

Tuners- both tuners could be better but next swap on the CV is going to be tuners.

I enjoy both of them and they are my p-style basses I play out



Overall from an aesthetic point of a view I think these look sharp. I can get on with the neck shape but maybe I had a bad example but I had some sharp fret ends. Easy to remedy if you know how. Both my MIM Fenders P and my Squier CV needed basically the same amount of work out of the box.



I have actually owned a Sub Ray 5 for a couple of minutes. It was a fine instrument if you are looking for that sound. I was looking for one to put flats on as my #1 is a Sting ray special. Ultimately I got 2 examples and they were heavier than I would have liked.

Quality is going to be similar. The Sterling will likely have a beefier neck.

I want to pull the trigger on the LB100 Tribute as looking for a backup to my 50's P bass. I really like the neck on the 50's P so how would the LB100 compare? The LB100 looks great in natural ash body and maple and would be a nice variation to another Fender though I do like Fenders. As long as the LB100 neck isn't too chunky that is.
 
I want to pull the trigger on the LB100 Tribute as looking for a backup to my 50's P bass. I really like the neck on the 50's P so how would the LB100 compare? The LB100 looks great in natural ash body and maple and would be a nice variation to another Fender though I do like Fenders. As long as the LB100 neck isn't too chunky that is.

I unfortunately dont own a 50s P Bass so I cant make that direct comparison. Its definitely chunkier than my 70s CV and my MIM P Bass. To be honest I prefer the LB100 neck shape.

YMMV, i play guitar too and prefer the baseballs bat necks on the nocasters
 
I do have a 50s P but not the LB100, useful other half for a complete feedback, lol

I think it's hard to find something as wide as the 50s neck - and I'm not saying it complaining

However, these are the specs I found on G&L's website about the US made model:

NECK PROFILE: G&L 1 5/8" Medium C with 9 1/2" radius

I suppose the Tribute has similar (probably the same) specs: you also see the radius is flatter, so I suspect a more "modern" feel

Finally, if the JB is quite faithful to the original Jazz design (not the JB2, the JB), it looks like their P counterpart has a bit more twists in their design, from the extra fret/square neck heel to what looks like a "similar but not quite the original" P shape. It looks a bit more pointy to me from the photos, can someone confirm?
 
Yes, looking at the specs the LB100 has a 1.625 nut width and the 50's P has 1.75 so a touch wider. I going to go for the LB100 and see how it feels I think. Can always return it if I can't get on with it.
If anyone has a modern C and a vintage C I'd love to hear the difference
 

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