You know what sounds good with bass guitars? This does:
Yes, the first version of the Menatone J.A.C is sizzle-bright, as I read it was. However, it is thick and somewhat rude, too. Thus its voice has an interesting sort of scoop. Now that I've had a few Menatone drive pedals for 20 minutes, the J.A.C sounds to me like the work of the same person; someone who specializes in believable and good-sounding analog "amp in a box" pedals.
After many trials, and with three meaningfully different passive bass guitars, I set up the J.A.C's hot sound and tasty compression to
There is no neutral voice here. For that, I have the Empress Compressor. Rather there is dynamics processing with a natural feel, plus broad brush EQ, and a tiny bit of drive under all.
It is a beautiful sound: thick, punchy, and tough; also sweet and sonorous. It sacrifices some tenderness and nasality, but strikes a good balance overall across playing styles and instrument sounds. The net sound seems a little larger than life. I like it.
Next, the Pig...
Yes, the first version of the Menatone J.A.C is sizzle-bright, as I read it was. However, it is thick and somewhat rude, too. Thus its voice has an interesting sort of scoop. Now that I've had a few Menatone drive pedals for 20 minutes, the J.A.C sounds to me like the work of the same person; someone who specializes in believable and good-sounding analog "amp in a box" pedals.
After many trials, and with three meaningfully different passive bass guitars, I set up the J.A.C's hot sound and tasty compression to
- respect the attack of staccato fingerstyle bridge pickup playing (that is, with little or no noticeable suck or added attack), and
- firmly, yet sweetly squash slap/pop/strum/pluck, then
- drive the Diamond Pedals Bass Comp.
There is no neutral voice here. For that, I have the Empress Compressor. Rather there is dynamics processing with a natural feel, plus broad brush EQ, and a tiny bit of drive under all.
It is a beautiful sound: thick, punchy, and tough; also sweet and sonorous. It sacrifices some tenderness and nasality, but strikes a good balance overall across playing styles and instrument sounds. The net sound seems a little larger than life. I like it.
Next, the Pig...
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