I have a couple of suggestions, for whatever that's worth, but here it goes anyway;
2. Going back to when I had just bought my first-ever bass, I took it in for a setup. He noted the strings were pretty dead and suggested I start off with D'Addario flatwound Chromes of the .100-gauge persuasion, saying they would be much kinder to a beginner's fingers.
Personally, I think he was on to something on both fronts, but your daughter's mileage may vary.
What I can say on my own is that everyone's sense of "personal ergonomics" is exactly that; "PERSONAL". What works for others may not be 100% reflective of what feels most comfortable in your daughter's own, two hands. That's why it's important to sample as many instruments as reasonably possible. She may not know exactly what feels best at the onset, but trying a wide variety and taking notes along the way might help her zero-in on a set of criteria. And, if you get a sense of what's acceptable, you can use those criteria to find something similar that might not be immediately available. (That's how I discovered how much I dig the necks from Fender Classic/Vintera '70s Jazzes and Fender Aerodynes…certain necks did not feel "right" in my hands, so I eliminated them from my research and found what was comfortable to play.)
…and I am all for it!
1. Starting off with a passive instrument might be a good idea. Not long after I bought my first bass, I was chatting with a guy from my local two-location music instruments store. I was wondering if I should've started off with something active. He said starting off with a passive instrument would give me a good foundation with how pickups work without getting into the weeds of EQ'ing an instruments sound.The consensus seems to be Ibanez more so than other brands with Squire coming in 2nd place. Squire is appealing because it’s passive and you don’t have to worry about a preamp fail with cheaper models. Ibanez could also work very well
2. Going back to when I had just bought my first-ever bass, I took it in for a setup. He noted the strings were pretty dead and suggested I start off with D'Addario flatwound Chromes of the .100-gauge persuasion, saying they would be much kinder to a beginner's fingers.
Personally, I think he was on to something on both fronts, but your daughter's mileage may vary.
What I can say on my own is that everyone's sense of "personal ergonomics" is exactly that; "PERSONAL". What works for others may not be 100% reflective of what feels most comfortable in your daughter's own, two hands. That's why it's important to sample as many instruments as reasonably possible. She may not know exactly what feels best at the onset, but trying a wide variety and taking notes along the way might help her zero-in on a set of criteria. And, if you get a sense of what's acceptable, you can use those criteria to find something similar that might not be immediately available. (That's how I discovered how much I dig the necks from Fender Classic/Vintera '70s Jazzes and Fender Aerodynes…certain necks did not feel "right" in my hands, so I eliminated them from my research and found what was comfortable to play.)
As a dyed-in-the-wood Gen X'er, I feel just a little called out, here…Nobody noticed it in the 50's and 60's when I was a kid. We weren't around the house, were out playing in traffic, climbing trees, or riding bikes to places unknown, expanding our geographic horizons. Meanwhile by the time we got home our parents were well into triple martini hour and didn't notice anything. By the 70's we as teenagers were so stoned, or rebellious, it was impossible for parents to notice aberrant behaviors.
Now, everything is measured, checked, monitored. Wait, why does my phone say my monthly screen time just increased? Let me check my Apple Watch to see if I've been sleeping less. What's my personal EKG say? I just saw a Pharma commercial and whatever it was talking about, I might have it!
…and I am all for it!
