Morning dudes. Coffee is hitting ze spot today.
So last night I opened up the Ray35 and did some hackin at the stock electronics with my shiny new $14 Amazon soldering iron. Figured out a clean way to disconnect the preamp from the pickup, set up the coils in parallel and wired the hot straight into the output jack. Results were surprising and very satisfying!
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I recorded 3 clips in active mode, then 3 clips in passive: first clean in, then Rusty Box, then Grey Stache -> Rusty Box. Recording direct into PC through M-Audio interface. Fingerstyle in Drop B tuning.
The active clips are parallel mode, max volume, flat EQ (at center detents)
Passive clips are direct pickup to output jack in parallel coil setup.
Pretty surprised the output wasn't any lower in passive mode and the tone was very full range but didn't seem to lose any bass. Definitely has some additional high end as Ancient Tone mentioned a few pages back, but it seems really easy to dial it out at the pedal and amp stages. First impression, I love it because it has the exact Stingray sound I was going after, but without always hearing the preamp kind of squashing it. Seemed no matter how I set the pre, the bass was woofier than I wanted, midrange honkier than I wanted, and treble had a click/envelope effect. Just sounded artificial when cranked up to high volume. The 1-trick-pony passive tone just sounds more... natural I guess. And immediately I found that the Grey Stache and Rusty Box sounded better pretty much any way I set em, where before different settings would be fighting the bass pre.
I started jammin around with a thin guitar pick and the Rusty and it sounded bad-A so I recorded some of that too: bass is pretty nonexistent with that pick I was using.
http://www.soundcloud.com/toastfuzz/ray-35-rusty-box-thin-pick-jam