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Double Bass Studio Mic Screen on stage?

A typical SM58-type mic has what's called a cardioid polar pattern. That means it rejects anything coming into it from the back. That anti-reflection screen would do you absolutely no good.

And, it wouldn't help reduce feedback because feedback enters from the front of the mic because it's, as I said, a cardioid polar pattern.

Plus it would block your face.

Check this out:
Microphone - Wikipedia, the free encyclopedia
 
I was not thinking of a vocal miking situation, but of a double bass. So it would probably not hide my face, but my knees.

Ah, that's different. A condenser mic is so sensitive that it's darn near impossible to put them into a monitor without them feeding back. Even in a cardioid pattern. Not sure that thing would help. But I don't know for sure.
 
For Pat Matheny's Song X tour Charlie Hayden was totally enclosed in a plexiglass structure. It worked very well.

Ric

Right, he's used that more recently as well. What I heard is that Haden has serious hearing issues and the enclosure is more about keeping the stage volume very low for him.

I figure a lower version, maybe a few inches higher than the mic sweet spot above the right F hole, would work well for isolation and feedback prevention and wouldn't be too distracting for the audience. I've seen 3 sided hinged shields like this built for guitar amps, and larger ones for drums, maybe a prefab one could be bought.

The linked product looks cool, I'm just not sure how road worthy it is, and it's relatively expensive and not that large. You could probably build a plexi version for maybe $30 and make it large enough that you could use an omni mic on the bass if you wanted, or a figure 8 ribbon straight on.
 
novel idea. try it & tell us.
not sure i understand correctly--how are you connecting all of this? you have a mic pointing at your db; i can see how the filter may protect it from drum-bleed.
small room, small stage?