By popular demand, a settings thread 
Ill keep mine simple first-
My goto:
Octsyn triangle around noon, clean octave at 8, and justa pinch of clean in there
I find that what makes this shine is putting a filter after it- envelopes are great, but I'm talking more about a fixed filter, band pass, lowpass especially.
Im prototyping a versatile fixedfilter specifically for the SubT and fuzzes, but until then try out your envelope filters with it- does sound good as hell swept, but if you have a way to keep the filter from sweeping, i.e. bottom out the sensitivity, check the sounds of this a lot of good s*** to be had in there . hey even a versatile powerful EQ after it would be good
this is all because I love the fat bottomed this of the active sense but I just find the highs a little too aggressive on some of the waveforms, especially if it isn't mid heavy song with a full band kickin.. using some tonal shaping to tame the subterranea will make this panel even more of an epic success than we originally thought
Ill keep mine simple first-
My goto:
Octsyn triangle around noon, clean octave at 8, and justa pinch of clean in there
I find that what makes this shine is putting a filter after it- envelopes are great, but I'm talking more about a fixed filter, band pass, lowpass especially.
Im prototyping a versatile fixedfilter specifically for the SubT and fuzzes, but until then try out your envelope filters with it- does sound good as hell swept, but if you have a way to keep the filter from sweeping, i.e. bottom out the sensitivity, check the sounds of this a lot of good s*** to be had in there . hey even a versatile powerful EQ after it would be good
this is all because I love the fat bottomed this of the active sense but I just find the highs a little too aggressive on some of the waveforms, especially if it isn't mid heavy song with a full band kickin.. using some tonal shaping to tame the subterranea will make this panel even more of an epic success than we originally thought