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I would probably bag the big humbucker in the bridge, and go with one of the other skinny buckers or jazz like single coils they have if I had to do it again. I am a well known non-fan of those big pole pups.
The lack of fundamental sustain is due to the wood...its not a big deal unless you are going to hold a low or G for like 4 bars, which I never have occasion to do anyway....
but the sound, like melted chocolate baby...melted chocolate....the koa is what gives it that sound....
melted chocolate???
weren't ya just sayin it was high mid-rangy?

+1,000. EBMM basses have sweet voicing for stringing higher, because for playing chords, the brightness and tight spacing really help. An SR5 would be my first choice, then a Bongo.
Having owned an SR5, I would have been tempted to get another and string it EADGC if I hadn't bought a 6 tuned BEADGC.
I liked the bass, but I got bored quickly with that one-pickup config in a covers band! I know it sounds strange but I intend to use an EADGC-tuned bass for this very band.