Yep, i'm down with those Sereks.
Yes, and Jake is ultra-cool person too.
Hey WV Bass-
A word I heard from Jake is that he was going w/ a new model, a long-scale. Hard to tell from the pic...
Did you see anything like that at Nashville?
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Yep, i'm down with those Sereks.
I can't understand all the hype on the Dingwall basses...
They most use those basses with "djent metal bands"... always those high end tones... :/
thank you @wvbass !!!
I was getting ready to build my own backbeat. really excited to try it out. Can you please please please tell me who makes those beautiful arch top basses in your pic? I can't make out the logo on the headstock.
Yes, metal bands such as Carole King and James Taylor...
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And that other headbanger, Phil Collins...
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Just him... but 90% uses from djent metal and that horrible hi-fi distortions...
Just him... but 90% uses from djent metal and that horrible hi-fi distortions...
The last 2 times I went to NAMM (in L.A.), the people checking out and playing at the Dingwall booth were definitely not metal. They just seemed to be regular players of different genres. I'm not sure why you have such preconceived notions, but I think you should put those aside and look into why anyone would want to try a fanned fret bass.
)There hasn't been too much talk about summer NAMM here. I was there, and I didn't really set out to photograph everything I saw, but I did snap a few pictures.
A few things stood out to me.
1) BackBeat...This was a prototype of a bass "kicker" that you wear on your strap. I liked this a whole lot more than I thought I would
2) Poly Expressive... A guy named Loki from Australia had a prototype of a innovative effects controller system that uses laser positioning to track the location and motion of your foot. For reference, he had mousepad-material mats on the floor to show him the location of his "phantom" expression pedals and stomp switches. This was real too-smart-for-your-own-good, mad-scientist stuff. Really, really cool
3) Serek basses. I only spent a few minutes at the booth, but for me, these were the best basses there. The booth had pretty good foot traffic, and I saw Curtis Novak wearing a Serek shirt. These short scales are nice, classic-feeling designs that are super comfortable to play. I was really impressed by the way that, somehow, regardless of the pickup configuration, these basses all manage to sound different from each other while maintaining a very similar, "part of the same family" tone to them. I can't say enough good things about these instruments.
4) Trace Elliot. It was a noisy room, but I am definitely a fan. The Transit B looks and sounds like a quality piece of Trace Elliot gear. It sounds like what I remember Trace Elliot sounding like. (I say that having only ever owned a single Trace preamp.)
5) Ashdown ORIGINal. I thought the Trace stuff would be my favorite small amp gear. I was wrong. The Hi-Mid knob on these amps is pure magic. I will probably end up with one of these rather than the Elf. There is a DI pedal and a small amplifier in the product line.
6) The Dingwall D-Bird. As a collection, Serek won the day for me. The best single bass that I played? The D-Bird, by a wide margin. If this isn't a perfectly executed design, I'd need a lot more time with it to figure out why.
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Just him... but 90% uses from djent metal and that horrible hi-fi distortions...
View attachment 1187723 Great pictures!
I was there to demo the new Supro basses:
